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» Pop-music as a side-disc»
» Hideous American operas.
» What 10k Buys You These »
» Like theese?
» High-End Audio as going »
» Midbass injection channel
» The Truly High-End Ampli»
» ESP Concert Grand SI Lou»
» Audiotism: cable elevato»
» Help with Math needed.
» The “Right of Spring” – »
» Playback and chamber mus»
» Macondo – Super Melquiad»
» Sick CEC TL0
» My playback’s sound vs. »
» Synergy Horn
» In defense of Mikhail Pl»
» Rare Onkyo HM-300 MK2 Ho»
» Is horn a natural shape?
» The centuries old strugg»
» Why David Robertson does»
» Moerch DP6 and DP8 “anis»
» Where high-end audio sta»
» HELP: I’m a line-level l»
» JBL 2446
» Ravel's Piano Trio; Rubi»
» My new “New” listening r»
» TU-X1 setup
» Looking for something di»
» Some Audiogon realty
» Speakers: a hi-fi disast»
» About the tweeters phase»
» Macondo listening experi»
» Mitigating Undesired Hig»
» What is it all about? De»
» Sansui AU-X1 bomb...
» I am thinking about anim»
» Always check power-line »
Bookmarked are red
Vladimir Lamm Site
Daniels Audio
Ward Marston's "Marston"»
Rachmaninoff Society
BachTrack
Rradiomuseum
Heart's Ease
Truesound Transfers
Sibelius Academy music l»
Higherfi.com
Elliott Sound Products
Holger Klein's Soundpage»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
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Kenwood L-02T FM Tuner
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