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» SPUnisation of Macondo: »
» The one-stage Melquiades.
» Loudspeakers and headpho»
» Moerch DP6 and DP8 “anis»
» The LavryBlack DA11 Ster»
» Off-the-wall playback or»
» Yo-yo Ma live on the int»
» Think Denk and op.106
» A contemporary great CD »
» Grid bias power supplies
» “FM live” file exchange »
» Upper-Sound of Upper-Imp»
» ESP Concert Grand SI Lou»
» Single-stage Melquiades »
» Bach Piano Concertos, 1,»
» Great Cello Concertos
» Fuck you, the Shunyata's»
» Do not “compare” audio e»
» The nature of "soun»
» Maria Callas’s Glory Day»
» Tweeters for Altec 420y »
» Recording options: Pacif»
» Perception of bass?
» Remembering Sound…
» MDTunes™ from SoundLab l»
» 6C33C myths: audio Moron»
» Reflections pattern in C»
» Yep, Bach would do it….
» Active Tonearm Monitorin»
» Time alignment of drivers
» Hans Vonk Legacy
» Some thoughts about bass»
» Non-MDF horns
» LF Amplifier in biamping.
» Russian mythology and Ho»
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» Putin or Medvedev?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
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APR 24 Re-Imaginings in Che»
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NPR Classical Programs
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My Audio Leftovers
Vitavox AK-15/40 15" ba»
Mid-range tantrix round»
Rohde & Schwarz EU-6201»
Vitavox AK151 15" bass »
Hillock TV-2 tube tester
Koetsu Onyx Platinum Ca»
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
Vitavox 330Hz Horn for »
Rohde & Schwarz MSDC Mu»
Musatex’s Bidat Model "»
More Leftovers »»