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» The Dvorák’s Tone P»
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» A different breed of 6C3»
» An interesting read abou»
» Floor reflections
» Get, or made up a tube t»
» Yamaha B-2 V-FET amplifi»
» How does it sound?
» Curiosity about others. »
» The Kato-san's Goto »
» Practical Guide for Back»
» Does high-sensitivity sp»
» Cerebral and psychologic»
» Any good sounding AES/EB»
» Brahms PC #1, Philharmon»
» How audio started….
» Koshka gets a beautiful »
» CEC TL0 3.0 trasport
» The “new” ways for initi»
» Pop-music as a side-disc»
» The wonder of Ayre Acous»
» Stands for Super Melquia»
» Why Hight-End Audio, as »
» Russian variant amplifier
» More 6E5P-6C33C amps.
» The Brain Inertia.
» The meaning of lowest oc»
» Always check power-line »
» Patricia Kopatchinskaja »
» Tape Machines
» A new beast from JBL: Ev»
» It’s mad, mad, mad... e»
» Scientific vs. audio act»
» Rudolf Barshai conducts »
» BD-Design’s Orelino
» Andre Previn in Boston.
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Art Songs and Librettos
NPR's SymphonyCast
Radiotron Designers Hand»
Loudspeaker Designer's G»
Professional Audio Calcu»
Wolds Opera Broadcasts
Joachim Raff Society
Scriabin's Sonatas
Altec divers/horns
Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Stage Acompany SA8535 d»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Micro-Seiki air-suspend»
Lamm ML-2 Single-Ended »
Conscience of audio rev»
Pacific Microsonics Mod»
CEC TL-0 MK2 transport
REL Precedent 646C tuner
Hillock TV-2 tube tester
“Tree Blind Mice” colle»
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