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» The Mercury "Rigole»
» Spivakov, NPoR Orchestra»
» Dynamic viscose stabiliz»
» Chesky's violin concerto
» Explain TAD ET-703 drive»
» A DSET is better then an»
» A response to David Hurv»
» Kloss 5-way horns setup.
» French Horns/drivers sho»
» Like colourful contrasts»
» The SACD and the Windows»
» The mystery of AmpX
» High-End Audio "sec»
» Etheraudio's some BS….
» Truly a new use of high-»
» The fantastic Lucas Deba»
» My subject of envy to au»
» James Levine takes a gre»
» DIY multicellular horn
» Meyer X-10
» Van den Hul famous FAQ c»
» Yet another Gould box se»
» A perfect "High-End»
» How do you position your»
» VTL TL-7.5 Reference: Hi»
» A resistor between scree»
» THE book on intonation
» A CD player of today… 20»
» High End 2012 in Germany
» Ode to joy
» Zander's new Masterclass
» Woofers cone repair – a »
» Gardzienice "Metamo»
» Curiosity about others. »
» 2+3 surround sound??
» Not new, but VERY intere»
» 12AX7 or?
» Accuracy vs. Musicality »
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Random Classics
Orchestra on Demand
Duntech Audio loudspeake»
Martha Argerich Site
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Radio-Locator
OboinaThor
Musical Musings
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Norman Lebrecht's blog
Hughs Ominous Tubes
The Music Parlour
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Sansui TU-X1 Tuner
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Altec 515B bass drivers
Micro Seiki RX-5000
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