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» Yep, Bach would do it….
» Get, or made up a tube t»
» Playing music for visito»
» The crossovering Messiah»
» Rachmaninoff’s Symphony »
» Non-MDF horns
» Rohde & Schwarz EU-6»
» Macondo – Super Melquiad»
» The Audio of 21 century:»
» Here's what's REALLY wro»
» Recapping RX5000
» Bach's Cello Suites
» Mid-bass Hornresp (V51.3»
» A complex Audio Question
» The K&K SE hybrid ph»
» Sound Quality and “Elect»
» Vitavox and Goodmans Bas»
» Neat reminiscences from »
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» The Patrick Flanagan’s N»
» The mystery of AmpX
» The “Right of Spring” – »
» I think it is the end.
» The best Third Movement »
» Simpson Microphones thre»
» How do you position your»
» About playback and messa»
» The Shielding Condoms on»
» Lecture on history of ar»
» Professional sound syste»
» SME M2-12 tonearm
» Van Cliburn Moscow 1958
» A slightly crazy idea fo»
» The nature of "soun»
» (Whose) classical music.»
» Vinyl Ceremonies: Repeat»
» Macondo + Milq… very nic»
» The best 20 hz bass horn
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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SME M2 - 12" Tonearm wi»
Musatex-TP Bidat 20-Bi»
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Lamm ML-2 Single-Ended »
Fane Studio 8 dual conc»
Stage Acompany SA8535 d»
Altec 515B bass drivers
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Musatex’s Bidat Model "»
Mid-range tantrix round»
Rohde & Schwarz EU-6201»
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