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Random Site's Threads
» Reference Recordings “di»
» The tools to listening s»
» About rationalism of twi»
» ... again on GOTO Unit d»
» A “pocket version” of Br»
» The Estonian idiocy: Est»
» The ultimate buffer #2..»
» Yet another Gould box se»
» Not all audio equipment »
» My old Fi-Hi gear associ»
» Melquiades: too early fo»
» How to evaluate playback»
» Horn loaded ribbons and »
» Some Horns propaganda
» Van den Hul famous FAQ c»
» Open letter to WGBH.
» The essence of High-End »
» Overlooked Cello Reperto»
» Plaishner 3-way speaker.
» Sauna and Audio
» Panel with Peter Qvortru»
» The funny Internet audio»
» Lecture on history of ar»
» A new kid in the block: »
» A datacenter at home and»
» BSO and 192kps
» Off-the-wall playback or»
» Aporia - Silbatone Acous»
» Tschaikowsky, [Violin] C»
» Happy New Year
» Not just another leather»
» Joseph Haydn, Six Esterh»
» New Shalin Liu Performan»
» Nice pair of S2s on eBay»
» A nice Vandersteen inter»
» Micro SX8000I: noisy pum»
» The List: Let age public»
» Macondo and ALE drivers,»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The sound of Concert Halls 5930 
New York Times article from a few years ago 5930 
My Boston Symphony Hall sucks 5930 
Looking the part [of a good-sounding hall] 5930 
Digital reverberation 5930 
The RT-60 injection techniques 5930 
Digital reberberation - correction 5903 
A good overview of Boston Symphony Hall 5661 
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Classical events in Boston
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