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» The “Implied Sound” in A»
» Canadian Speaker Proposal
» Learn to listen your lis»
» Practical Guide for Back»
» Perspective?
» LF for use with Vitavox »
» 6C33C socket types, wher»
» Yamaha B-2 V-FET amplifi»
» The Nimbus' Prima Voce b»
» Okada’s installation.
» $350.000 of audio-script»
» The silence after coda
» Always check power-line »
» Some Audiogon realty
» A great conductor - but »
» Arsenic bacteria & G»
» Lamm introduced LL1 Sign»
» Hickok Tube Testers: Qui»
» The 'Side's End Ceremony»
» About the (secret) rules»
» I built this device
» In defense of Mikhail Pl»
» Write your own ploy of t»
» Think how a playback com»
» Vox Olympian secrets unv»
» Horn loaded ribbons and »
» FMFool – a truly useful »
» Bach and Rain
» Low output MC?
» Resonating hi from overs»
» High End speakers Evolut»
» Battling stupid Horn Cri»
» Romy the Cat's Audio»
» Object-oriented audio re»
» Tube GU-29
» Seven hours of live musi»
» The objectives of Einste»
» High End Audio and music»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
A contemporary AD1 Triode by Emission Labs 6043 
Yamamoto AD-1 amp is SET 6042 
The semi-lost civilization of Nazi’s Sound. 6042 
Yamamoto amplifiers 5988 
Yamamoto amps vs. my buying attitude. 5988 
TAD time alignment and Too much choice with Yamamoto 5988 
Yamamoto, AD1 and no talk about time-alignment. 5986 
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APR 29 Trio Tableau in Newt»
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