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» Weiss MAN301 Music Server
» Purist Audio Design vs. »
» Eduardo de Lima is a fre»
» The exaggerated boots un»
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» What to do in England?
» Interesting diffuser sof»
» About Harry Pearson lega»
» A discussion about the a»
» Audio and the “Alzheimer»
» Boston Vinyl Stores?
» Non-MDF horns
» Romy stalked me on the f»
» Richard Wetz and Martin »
» What to read in audio?
» ESP Concert Grand SI Lou»
» Horn-Kultur 5-Way from G»
» VMPS RM V60 – kill me, b»
» The industry’s high qual»
» Tchaikovsky's Nutcracker»
» Another topic on vitavox»
» Top Recordings of All Ti»
» Appearance of listening »
» The absolutely “best” ma»
» Oistrakh(s) on Monitor M»
» Benjamin Grosvenor is co»
» The last phonocorrector:»
» Berlin, Bruckner 8 in Ma»
» Why I do not like La-hor»
» VoES
» What a trip 30 years bac»
» Preamp/linestage recomme»
» MacondoLite
» Some thoughts about bass»
» RAAL Dipole Ribbon Tweet»
» God bless WDR Symphony O»
» Bruckner 9, Transcriptio»
» A big subwoofer vs. an a»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
A contemporary AD1 Triode by Emission Labs 6876 
Yamamoto AD-1 amp is SET 6875 
The semi-lost civilization of Nazi’s Sound. 6875 
Yamamoto amplifiers 6821 
Yamamoto amps vs. my buying attitude. 6821 
TAD time alignment and Too much choice with Yamamoto 6821 
Yamamoto, AD1 and no talk about time-alignment. 6819 
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