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The audio preview of the audio part of my Book

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» Bartok piano works
» The John Barbirolli’s wi»
» Acoustics of Avery Fishe»
» The DSET perspective exa»
» A discussion about the a»
» The 'Beethoven Test' of »
» Copper Mat on a Micro Se»
» Use absolute polarity as»
» A Zen Audiophile Basemen»
» Speaker Building
» The Silence of the Lamms!
» Playback and Perception »
» Wilson Audio Setup Proce»
» Ways to use audio method»
» Beethoven IX and Fü»
» Suggestion on my introdu»
» Melquiades (D-Set) parts»
» RMAF 2008 observations, »
» 'Ideal' ceiling height? »
» High-End Audio and ... p»
» About Timbre and Audio.
» Suggested target curves »
» Yamamura's 6 ways
» Dynamic range in histori»
» The Melquiades' "Re»
» The ultimate buffer #2..»
» About High-End Audio for»
» "SOTA Technology&qu»
» SS Amplification for Com»
» Claude Perrier and his t»
» World's First Concrete R»
» The real goals of sound »
» Every crowd has a silver»
» Micro RX5000: is that be»
» A full-range driver = C»
» Radiation patterns match»
» The ridicules naming of »
» Why I do not love Mahler?
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Boston and Bruckner 4734 
B7 BSO 4734 
Clark, the Resourceful! 4734 
Yeah, "filled". 4734 
Bruckner in America 4724 
Beg to differ, Steverino 4723 
This is why Bruckner is not popular in USA. 4576 
Yeah, well... 4576 
And some Bruckner over the air.... 4576 
No surprise 4576 
BPO back with… Bruckner 8 1748 
Congrats 1748 
A little story 1747 
The concert itself with pretalk 1676 
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