05-28-2026 Post does not mapped to Knowledge Tree Romy the Cat Boston, MA Posts 10,482 Joined on 05-28-2004 Post #: 1 Post ID: 29768 Reply to: 29768 Boris Mikhailovich Teplov Available in English translation     "I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche

05-29-2026 Post does not mapped to Knowledge Tree rowuk Germany Posts 510 Joined on 07-05-2012 Post #: 2 Post ID: 29769 Reply to: 29768 If music is this much of an influence, what are minimum requirements for stimuli? The video deals with specific stimuli but how do we quantify what must be present in a rhythm or melody or harmony? What about discordant music? What about the speed, the register being played. What about pop music that repeats simple patterns? Whenever I feel blue, I start breathing again.

05-29-2026 Post does not mapped to Knowledge Tree Paul S San Diego, California, USA Posts 2,878 Joined on 10-12-2006 Post #: 3 Post ID: 29770 Reply to: 29768 VERY Interesting! So, since people are working with and developing inate (musical) abilities, a person simply has more or less to work with going in, and they are likely to have more or less inclination to work with it, as well. Hardly casts shade on the idea of birds of a feather, but does explain why "some people will never get it", "it" being any one or combination of the 3 pillars. This displaces but does not seem to negate vivid imagination, which I experienced as a child.

05-29-2026 Post does not mapped to Knowledge Tree Romy the Cat Boston, MA Posts 10,482 Joined on 05-28-2004 Post #: 4 Post ID: 29771 Reply to: 29768 WTC.... I know that this guy was working or on analyzing some things that I had tremendous interest and never understanding. Well I understand it but I do not know why it is happening and I always was looking for some kind of biological markers which would be responsible for this. If we have a sequence of the nods and we execute them in different tonality the perceptional meaning of the sequence completely change for audience. It is universally known and acknowledged phenomena but I never heard explanation why which would convince me. I think somebody like professor Teplov would be right person to tackle it. Only God knows if it has psychological or biological reasoning. "I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche