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Random Site's Threads
» High-End Audio "sec»
» Updated view: The Optima»
» Steve Leung, Cartridge W»
» Thomas Mayer’s Triamp
» Macondo Frame modificati»
» Building horn onto power»
» Where is the real Russia»
» Dubbing LP to digital.
» Designing and building a»
» (Hopefully short) headph»
» SET and speakers: disreg»
» Horn Speaker Leftovers f»
» How High-End Audio can b»
» Another interesting corr»
» Stage Music: get clew.
» Balanchine’s “Pathetique”
» My Analog Playback: the »
» A “pocket version” of Br»
» Rachmaninoff’s Symphony »
» My Audio Philosophy
» Large La or Tratrix horn»
» Introduction to “Melquia»
» Sound from behind a wind»
» Tedeska Cartridges.
» Audio vs. Musical pitch
» About DSET-driven multi-»
» Chicago Lyric Opera on W»
» Micro Seiki SZ-1T
» The wonder of Ayre Acous»
» Afraid loudspeakers that»
» Lowther Driver
» The audiophile’s stupid »
» The Nationals Anthems
» Preamplifiers: keys to m»
» The DHOFT topology? Do n»
» Klipsch Jubilee
» NOhorn channel for “the »
» Trash your “full-rage”, »
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Club Abbadiani Itineranti
MetManiac Opera Archive
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BuyWell Australia's Clas»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques

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Classical events in Boston
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My Audio Leftovers
Sansui TU-X1 Tuner
Rohde & Schwarz EU-6201»
Pacific Microsonics Mod»
Ortofon Mono CG 25 Di c»
Vitavox 330Hz Horn for »
Musatex-TP Bidat 20-Bi»
Micro Seiki RX-5000
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Conscience of audio rev»
Micro-Seiki Arm Board
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