GoodSoundClub - Romy the Cat's Audio Satire

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Post #16: Is the path perhaps the goal?

by rowuk on 2021-07-19

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Thread: 2+3 surround sound??

in Playback Listening 135 Replies

I too believe that "reproduction" has nothing to do with my audio experience as there is nothing to reproduce. There is so much missing in any recorded signal that the "original" geometry can not even be close to restored. At best, we could create a ...

Post #21: Cross Phase or simply head correct?

by rowuk on 2018-10-20

Thread: The open project: a lateral cross-injection.

in Playback Listening 25 Replies

When listening to stereo, we initially have 4 images to deal with. Th right speaker to the right ear, the right speaker to the left ear, the left speaker to the right ear and the left speaker to the left ear. Broader images can be made when we “cance...

Post #26: The phase trick is actually not that difficult

by rowuk on 2019-07-21

Thread: The open project: a lateral cross-injection.

in Playback Listening 25 Replies

Hafler, Carver, polk and most professional mastering has a technique that actually came from MS recording techniques. A MS microphone array has a "mono" microphone and a figure 8 bipole microphone above it. The stereo spread is controlled by altering...

Post #67: Dominating yellowness

by Bud on 2005-08-05

Thread: Vitavox’s S2 Survival Guide.

in Horn-Loaded Speakers 123 Replies

Romy, I actually prefer the essence from the other end of summer, that wet, clear water running sound, so exuberant and hopeful ... though autumnal music has its own joys.. you only need encounter Vivaldi's Four seasons portrayed by N. Marrine...

Post #68: Yellowish vs.blueishness and Vivaldi.

by Romy the Cat on 2005-08-05

Thread: Vitavox’s S2 Survival Guide.

in Horn-Loaded Speakers 123 Replies

[quote user="Bud"]I actually prefer the essence from the other end of summer, that wet, clear water running sound, so exuberant and hopeful ... though autumnal music has its own joys.. you only need encounter Vivaldi's Four seasons portrayed by...

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