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» The Evolution (or Anti-E»
» Reinforced live sound in»
» Berlin, Bruckner 8 in Ma»
» A very good horns system.
» From Newton to Einstein
» The benefits of ultra hi»
» About the DAW playback s»
» The “Melquiades” Sound -»
» Another Boston Radio Sta»
» Why I hate computer play»
» Fuck you, the Shunyata's»
» DIY LCR phono
» Sansui AU-X1 bomb...
» What I am doing?
» Ravel Piano Concerto No2
» Horns and digital crosso»
» Deep End DIY - Austral»
» 45Hz Bass Horn
» Bass drivers inquiry
» Aries Cerat Contendo - t»
» A longer CD-Rom cable.
» New Sonus Faber
» Melequiades PSU
» Small double bass horn f»
» Micro Seiki RX-5000 Reco»
» Suggested target curves »
» Tuuubes - where are the »
» Steinway and Lyngdorf lo»
» The Truly High-End Ampli»
» A Frankenstein Macondo -»
» Macondo 3.0
» Melquiades: too early fo»
» DRU Tube for Melq’s HF c»
» I have a dream, the drea»
» The “Primary Frequencies»
» What is wrong there and »
» Surprising: the most int»
» Bach by Ormandy’s Philad»
Bookmarked are red
Classic Records UK
BachTrack
Jammin' Jersey
Soviet Composers
Pjay's Speaker building »
Scriabin's Sonatas
Rachmaninoff Society
The Air This Week
The Music Parlour.
Tube World
Qualiton
Find-a-Concert
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2 Compression »
Micro Seiki RX-5000
Purist Audio Design Pro»
Micro-Seiki MAX-282 To»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
LF Transformer for 6C33C
Lamm ML-2 Single-Ended »
Fane Studio 8 dual conc»
Vitavox 330Hz Horn for »
Sansui TU-X1 Tuner
More Leftovers »»