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» The tales of two phonost»
» About audio sales and h»
» Avid Listener --- Stereo»
» An idea of Individual Re»
» Dream Hi-Eff Speakers fo»
» In Praise of Infidelity »
» Andrew's new 4-way horn »
» Horn length/expansion/gr»
» Say “no” to the light to»
» Mercury Living Presence »
» The mystery of Koetsu On»
» Memory Player Box?
» Class “D” – the industry»
» The Dark Hope of Renee F»
» The 68 dipoles imitation»
» Saying goodbye to the di»
» Chicago Lyric Opera on W»
» How to give bats a heada»
» Macondo’s lowest channel.
» A very good horns system.
» Analog: a reduction of s»
» Danley's Hyperion
» To buy an SACD Player?
» Super Melquiades, Macond»
» Matching Playback Method»
» The ultimate worst best »
» If you are in Bruckner: »
» Memories of audio elemen»
» Do not “compare” audio e»
» The crossovering Messiah»
» The Sound assessment rec»
» Tchaikovsky: Symphony No»
» Kristian Zimerman BBC in»
» Greeting every one
» Tonearm Alignment Method
» Phono stages with SU-1
» Eben X-3 loudspeakers -»
» Impulse response, short »
Bookmarked are red
Jong Woo's Site
Classic Records UK
The Bruckner Discography
Pjay's Speaker building »
Delta Entertainment
The Gustav Mahler Board
BuyWell Australia's Clas»
Wood Horn Speakers
Rachmanionoff's links
Recording Technology His»
Classical Music Streams
The Thiele-Small Loudspe»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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