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» High-end audio: Absolute»
» The Ridiculous Japa-Braz»
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» Boston and Bruckner
» Macondo – Super Melquiad»
» Maria by Callas
» Mendelssohn, Cello Sonat»
» High End Munich 2023
» Dual channel SET
» New here
» Another horn manufacturer
» Constructing LF modules »
» The ultimate cancer of a»
» Macondo vs. the “industr»
» Tanglewood 2010
» Dennis Colin's Sound Str»
» Use absolute polarity as»
» Today’s SACD - music for»
» Tedeska Cartridges.
» Lamm ML2.1 "No long»
» Van den Hul famous FAQ c»
» Digital recorders: what »
» “Harmonic Speed”- friend»
» Lithuania enters the gam»
» The new G.I.P speakers.
» Paradoxes of my Racism.
» The need for a balanced »
» The irony of playback ph»
» OK, digitechs, why won't»
» Pacific Microsonics Mode»
» Very interesting
» A lucidly implemented di»
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» Signal variation, noise,»
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» Gaussmeter wanted.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Gilles, Jean (8 January 16»
Neefe, Christian Gottlob (»
Bull, Ole (5 February 1810»
Villanueva, Felipe (5 Febr»
Mortelmans, Lodewijk (5 Fe»
Ibert, Jacques-Franço»
Bacewicz, Grazyna (5 Febru»
Pentland, Barbara (2 Janua»
Tcherepnin, Ivan (5 Februa»
Cherepnin, Ivan (5 Februar»
My Audio Leftovers
Fane Studio 8 dual conc»
Conscience of audio rev»
“Tree Blind Mice” colle»
ESS AMT-1A Heil Air Mot»
Lamm L2 Reference pream»
REL Precedent 646C tuner
Korvet “Egg” Tonearm
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
Pacific Microsonics Mod»
Micro-Seiki air-suspend»
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