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» What about 220V 50Hz?
» The high-end audio, as i»
» Sensible record cleaning»
» Absolutely the best audi»
» Mendelssohn, Cello Sonat»
» Charles Schlueter’s inte»
» Input choke for Low Curr»
» The real goals of sound »
» Balanchine’s “Pathetique”
» It is about timbres, stu»
» Corresponding With Carlo»
» Boston and Liszt’s Secon»
» Audio Tekne driver align»
» Lower cost horn loaded a»
» (Whose) classical music.»
» Goto SG-370DX measurement
» Virginia Tech and Music
» Radio Stations Harmonize»
» The “guest musician opin»
» Some Audiogon realty
» Rach’s Prelude in C-shar»
» Designing and building a»
» Correcting Filters and t»
» Dvorak Piano Quintet
» Suggestion on my introdu»
» Vitavox and Goodmans Bas»
» Do not over-damped your »
» Two-stages, hybrid, smal»
» Tedeska Cartridges.
» How the things are getti»
» Better organization/desi»
» Those little headphones…
» The “Wet and Fuzzy” cabl»
» ... and some Bruckner bu»
» MET Broadcast, season 20»
» Amazon and MP3
» About Darwinism of Music»
» Earl Geddes: I can't her»
Bookmarked are red
Input Choke & Resonant C»
ElecroVoice’s Vintage Pr»
Phono EQ
Cedille Chicago
Hughs Ominous Tubes
Joachim Raff Society
Find-a-Concert
Classical Music Streams
Classical Recordings New»
Martha Argerich Site
The AHRC Research Centre
Western Electric manuals
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