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» Kalinnikov’s First Symph»
» Another (outdoorsy) swea»
» Convergent Legend Preamp»
» The Tenor amplifier and »
» The "non-winner&quo»
» The realty of UHF and LF»
» Don't evaluate audio by »
» Bruckner Ninth and the W»
» Beauty as I See It - Mus»
» The most emblematic reco»
» How to make a music pers»
» The Milq’s power supplie»
» RDANA - about banning no»
» Do the Filament Transfor»
» Arsenic bacteria & G»
» Trinnov amplitude and im»
» A revolution for Executi»
» New Shalin Liu Performan»
» How to mitigate the expe»
» 834p modding..."hum»
» Johannes Brahms - Sympho»
» Where high-end audio sta»
» K-Stereo Ambience Recove»
» Joël Durand Intervi»
» Tossy Spivakovsky and Tc»
» The Norman Lebrecht’s ar»
» “How audio might sound”
» BSO and 192kps
» A[nother] Cautionary Tal»
» Measuring reality: empir»
» What lives in Symmetric »
» Worcester Music 2009-201»
» Micro seiki SX-8000 Air »
» Audio critique – open yo»
» Spivakov, NPoR Orchestra»
» The cPlay software.
» Horn placements - horns »
» Playback journeys and Mu»
Bookmarked are red
Lockwood Audio
DaVinciAudio Labs
Input Choke Calculator
Avie Records
Bruce Edgar's Edgarhorn »
GS Tube
Phono EQ
JPC CD Store
Plasma Tweeters Site
Tuner Information Center
Vintage Audio Trader
Nornan Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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Micro Seiki RX-5000
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REL Precedent 646C tuner
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