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» BiDat: One more output
» Jessie Dazzle Project
» Why the tubes shall be t»
» Assemble it yourself?
» Initial thoughts about n»
» Opera “Boris Godunov”
» The most ridicules symph»
» Micro Seiki RX-5000 Reco»
» The period DHT tubes and»
» Flac 16bit/48Khz streami»
» UHF capable tweeters and»
» HD Radio? Good, bad or u»
» Just-Sound of Audio vs. »
» Russian cello festival
» Off-the-wall playback or»
» How we "think"»
» Analogue to digital conv»
» Oistrakh(s) on Monitor M»
» The new G.I.P speakers.
» Story of my discovery - »
» Think how a playback com»
» Philadelphia Orchestra c»
» Another light for the LS»
» Brahms PC #1, Philharmon»
» D'Agostino/Momentum SS M»
» Shelter 901 on SME 309 t»
» If you play a guitar…
» RCA’s Sound And The Story
» Johannes Brahms - Sympho»
» Are You On the Road to A»
» My (Amplification + Acou»
» The “Primary Frequencies»
» Grid bias power supplies
» Copyright protection for»
» Tidal’s Music Streaming »
» Good commercial speakers
» Atkinson vs. Tektronix: »
» About my listening habit»
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Truesound Transfers
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Audiomisc
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Tahra Records
MusicWeb
Vintage Audio Trader
Tonal tests
High-End Audio
Boston Philharmonic Orch»
Art Songs and Librettos
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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