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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Object-oriented audio re»
» The “sounds” that I am l»
» Reflex enclosures used a»
» Puccini: Tosca
» Tedeska Cartridges.
» The Nimbus' Prima Voce b»
» Middle step (non ultimat»
» The Patrick Flanagan’s N»
» Reel-to-Reel Tape vs. Ra»
» Antenna diversity system»
» Allnic Verito MC Phono C»
» The last phonocorrector:»
» Single-stage Melquiades »
» Macondo – Super Melquiad»
» Paul McGowan. tubes in p»
» Lamm introduced LL1 Sign»
» Custom enclosure?
» Placido Domingo... condu»
» RAAL Dipole Ribbon Tweet»
» Why GOTO do not care abo»
» Aesthetix Rhea Signature»
» Overlooked Cello Reperto»
» Rcf n850
» About playback and messa»
» The 5th horns in stack o»
» The “theories” about the»
» Terminal Velocity? Smart»
» A good PF articles about»
» Lamm LP2 phonostage: rev»
» The best audio source EV»
» My Koshka is meowing
» Belar fms-2 Vs. r&»
» The best “Die Fledermaus»
» Nothing Is Perfect
» "Appeal to the Grea»
» We don’t necessarily kno»
» The iHorn - a passive a»
» It is Miracle
Bookmarked are red
Jogis Röhrenbude's Site
Soviet Composers
Haenssler Classic
Classical Recordings New»
Takashi Asahina Group
Jim Moskowitz's Unknown »
Jammin' Jersey
Hughs Ominous Tubes
Olson Acoustical Book
Avie Records
The Thiele-Small Loudspe»
Sibelius Academy music l»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Sansui TU-X1 Tuner
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Stage Acompany SA8535 d»
CEC TL-0 MK2 transport
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