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» Playing third cartridge »
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» Expensive Audiophilism a»
» Driver tubes, grid leak »
» How to run MM-type cartr»
» Reviewing preamps by imb»
» Platine Verdier Magnum
» The New York Philharmoni»
» Sonic consequences of re»
» Jonathan Valin shell be »
» Tomorrow in Boston: Yout»
» D'Agostino/Momentum SS M»
» 3012, 312, M2-12 or ... ?
» Getting more from MF cha»
» Accuracy vs. Musicality »
» An idea of Individual Re»
» The ways to delay horns »
» Compression drivers and »
» Monophonic bass: myth an»
» Danley's optimised paral»
» SME M2-12 tonearm
» Hmmm... the sad truth ab»
» Easy Bruckner for Beginn»
» Boxed in horns
» Help FM Broadcast
» I need a “second-type” p»
» Bruckner 8, WDR and Manf»
» A new European productio»
» Philosophical approach t»
» How to test 6C33C?
» Choosing Someone to Refu»
» Lamm’s new phonostage.
» Yarlung Records at 24 bi»
» Eventually I’ve seen a l»
» John Cage about silence »
» Tubas and Mc-step
» Stop buying the records »
» 5 Channel Version of Mel»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
ESS AMT-1A Heil Air Mot»
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Micro-Seiki MAX-282 To»
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“Tree Blind Mice” colle»
Sansui TU-X1 Tuner
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