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» Greeting every one
» Shindo Latour
» Any recommendations?... »
» Macondo Horns: biography.
» Danley's Hyperion
» “Tool” for Morons ™: Bla»
» My reading for a “smalle»
» Wharfedale Super 12/RS/D»
» Is horn a natural shape?
» Pikovaya Dama / Queen of»
» A new CES 2010 loudspeak»
» RIAA pole two = 501,12 Hz
» A request to all members»
» Signal variation, noise,»
» Buzz/Kill, and The Most »
» BiDat: One more output
» About the Audio Neutrali»
» Yo-yo Ma live on the int»
» Macondo: new horizons. A»
» The tools to listening s»
» Shelter 901iii or 90c ca»
» Friedrich Kuhlau and his»
» Lutoslawski’s Concerto f»
» High End speakers Evolut»
» Benjamin Grosvenor is co»
» DIY Firefly Horns
» Matching audio to music:»
» Some conical horns anti-»
» Macondo Frame modificati»
» Etheraudio's some BS….
» A full-range quality-tri»
» Rubinstein at Carnegie H»
» In appreciation of Koshka
» Ah, Michelangeli...
» Any good sounding AES/EB»
» Plugin for drawing segme»
» Altec Model 19 in Boston.
» A right midbass solution»
Bookmarked are red
Great Plains Audio
Jim Moskowitz's Unknown »
Michelangeli Discography
Spinning Dog Records
Appian Publications & Re»
The Opera Critic
Exponential/Hyperbolic C»
George Szell discography
Pristine Audio Direct
33+45=78
Scriabin's Sonatas
Heart's Ease
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
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