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End of Life Phonostage
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» 6C33C myths: audio Moron»
» Sub-woofer integration w»
» Philosophical approach t»
» The “Dead Points of Live»
» “A” sound from “B” syste»
» If you’re multiamping th»
» The elusive “absolute to»
» Ever thought about how m»
» Brahms PC #1, Philharmon»
» The power AC Outlets?
» Sounds of Science
» New Barenboim’s Bruckner»
» The “new” ways for initi»
» Off-the-wall playback or»
» The "artificially&q»
» What I am doing?
» A listening room for a d»
» Reinforced live sound in»
» Ludwig van Beethoven &qu»
» Melquiades (D-Set) parts»
» Stunning Resurrection in»
» Lamm hybrids: M1.2 vs. L»
» Staxquiades project
» Belar fms-2 Vs. r&»
» Goodbye to EMI?
» Is it the time to change»
» 6E6P-DR in triode mode
» Some nice horns from Gre»
» Ortofon MC Anna cartridg»
» The Yevgeny Mravinsky Fi»
» When the stars aligned.
» GM70 vs. 6C33C
» Janine Jansen Violin
» The K&K SE hybrid ph»
» We don’t necessarily kno»
» Bruckner 9, Transcriptio»
» TU-X1 setup
» Inner Groove Distortion »
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Decca Classical discogra»
The Leonard Cohen Files
Stereopal
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Inbal Segev, cellist»
AUG 3 Gryphon Trio in Rock»
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julian bream, maestro of g»
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he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Purist Audio Design Pro»
Pacific Microsonics Mod»
Vitavox AK151 15" bass »
Purist Audio Design Pro»
Micro-Seiki air-suspend»
Conscience of audio rev»
“Tree Blind Mice” colle»
Lamm ML-2 Single-Ended »
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
Micro Seiki RX-5000
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