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» Altec Model 19 in Boston.
» The commercial music ser»
» We do not have an audio »
» Chesky's violin concerto
» Greeting every one
» There is Bruckner and th»
» The Color of Bass
» What is the best or rule»
» Joël Durand Intervi»
» My favorite video clips
» It is possible to elimin»
» RDANA - about banning no»
» Tannoy's Flagship by Jef»
» LPs & CDs Storage.
» Mahler: Symphony No. 2 i»
» Orphean horns / BMS driv»
» Hideous American operas.
» The Tenor amplifier and »
» Yep, Bach would do it….
» Montreal audio show phot»
» Myth: High-efficiency L»
» Horn length/expansion/gr»
» Analogue to digital conv»
» Transition : Driver to t»
» EMIA Phonostage.
» Denon 103: myths and the»
» Neat reminiscences from »
» Matching audio to music:»
» Loudspeaker: Sound repro»
» The meaning of lowest oc»
» The road to less dummine»
» Macondo listening experi»
» Furtwangler War Years Re»
» Grid bias power supplies
» We don’t necessarily kno»
» Hans Vonk Legacy
» Class “D” – the industry»
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Input Choke & Resonant C»
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APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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