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» Yet another Gould box se»
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» Interested in reading mo»
» The tapped horns: cons, »
» Phono stages with SU-1
» Capturing live internet »
» How to give bats a heada»
» Phase plug for midbass
» A multi-tier audio contr»
» Micro RX5000: is that be»
» Furtwangler War Years Re»
» Vitavox’s S2 Survival Gu»
» Bye-Bye, Fane
» The Softer Side of a Har»
» About playback and messa»
» Shock-absorbing tube soc»
» The beauty of Cannibalis»
» Not new, but VERY intere»
» Lutoslawski Concerto for»
» Opera “Boris Godunov”
» How we "think"»
» To play my 88/24 files o»
» The crossovering Messiah»
» Mozart: "Cosi Fun T»
» Transition : Driver to t»
» Macondo's Axioms: Horn-l»
» Graphene for Audio
» Gould's Piano
» Contact-free volume cont»
» 1st Guitar Thread
» JBL2440 on a round 300Hz»
» When the stars aligned.
» Tchaikovsky Symphony #4
» A full-range quality-tri»
» Cleaning my PP2000
» 3 way Tractrix Horn Buil»
Bookmarked are red
Opera Collector Guide
The Victor Victrola Page
Linkwitz's "Laboratory"
Max Robinson’s “Fun With»
Lied and Art Songs
Former Sirkorski Site
Neal's Recordings
Vintage Audio Trader
Joachim Raff Society
Valves Collection
The Opera Critic
Musical Instrument Jokes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
Musatex’s Bidat Model "»
Vitavox S2/S3 diaphragms
Tribute Output Amorphou»
“Tree Blind Mice” colle»
Micro-Seiki Arm Board
Lamm Industries M1.1 Mo»
Micro Seiki RX-5000
Micro-Seiki air-suspend»
Ortofon Mono CG 25 Di c»
LF Transformer for 6C33C
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