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» Philadelphia Orchestra c»
» Idea of a 3way horn syst»
» Schroder Tonearms
» FM Acoustics: The most i»
» 23Hz mono horn project.
» A great production of th»
» Dennis Colin's Sound Str»
» Thank you, Sir! May I ha»
» To buy an SACD Player?
» Loit Eagle Player – the »
» The CES 2005
» A quantum CD?
» The Jeff Day’s Westminst»
» Why horn-loaded loudspea»
» Two channels (tweeter an»
» The ultimate buffer – li»
» Beware of the "dipo»
» Strings reinforced sound»
» Copper Mat on a Micro Se»
» How to play Mahler 7 at »
» 8" Goto Woofer for »
» NOS Wagner move - what i»
» Sauna and Audio
» New Bamboo Speakers Feed»
» Crossover Design
» Has anyone ever seen the»
» A request to all members»
» The Extraordinary Harvar»
» Some analysis of the Joe»
» Dick Burwens "low c»
» Don't evaluate audio by »
» Rachmaninoff Piano Conc»
» Additive capacitance: mi»
» Submerging deeper into A»
» Records Box Stuffing
» A question to DIY musico»
» Some evidence for the ch»
» Sonic consequences of re»
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The Bruckner Discography
MusicWeb
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Linkwitz's "Laboratory"
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
the lost pianos of siberia»
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de Baratta, María (27»
Migot, Georges (27 Februar»
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Jönsson, Reine (27 Fe»
Holland, Jonathan Bailey (»
Conscience of audio rev»
Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
Micro-Seiki Arm Board
Micro-Seiki air-suspend»
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
Electro-Voice T350 twee»
Vitavox AK151 15" bass »
Lamm Industries M1.1 Mo»
Ortofon Mono CG 25 Di c»
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