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» Macondo’s MiniMe or abou»
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» “Zarathustra” amplifier:»
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» The "anecdotal"»
» Not new, but VERY intere»
» About Omnivorenes of Pla»
» Horn for smartphone
» Micro Seiki MAX 282 Ques»
» Analogue to digital conv»
» Chopin's Waltzes, Witold»
» Micro Seiki MAX 282 User»
» Bruckner 9 live in 30 mi»
» Hiroyasu Kondo: “My thou»
» Remembering Sound…
» Single Ended Triode dist»
» The “better speakers” to»
» Object-oriented audio re»
» World's First Concrete R»
» Deep End DIY - Austral»
» Srajan Ebaen and Juicy-C»
» The “Right of Spring” – »
» And a Bruckner 8 the day»
» Coral x-viii
» Always check power-line »
» Coaxial design
» Too damn loud?
» Accuracy vs. Musicality »
» Yamaha B-2 V-FET amplifi»
» Altec cabinet: 815a
» The nature of "soun»
» 45Hz Bass Horn
» Satellite radio
» High-End Audio Bass: wha»
» Live vs. Recorded transc»
» The nature of "soun»
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Audiofederation's Blog
Wing Records
Female Composers Site
Virtuosos Discographies
Classical Composers
Delta Entertainment
Tubecad publication
Michelangeli Discography
Hi-Fi Speakers Design
Martha Argerich Site
Rachmaninoff Photos
The Music Parlour.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki MAX-282 To»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Micro Seiki RX-5000
Vitavox AK151 15" bass »
Musatex-TP Bidat 20-Bi»
Vitavox S2/S3 diaphragms
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Altec 515B bass drivers
Stage Acompany SA8535 d»
More Leftovers »»