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» How to make a speaker dr»
» Russian mythology and Ho»
» Macondo vs. the “industr»
» Schimmel's Voxativ Ampeg»
» Planning my DSET
» Cogent+Electronluv+Acape»
» Subjective evaluation of»
» Small double bass horn f»
» Beethoven's Triple Conce»
» The experiments with rem»
» Simpson Microphones thre»
» What constitutes a great»
» The Active High Frequenc»
» The Foolishness of Analo»
» The Rachmaninoff's large»
» It's might be anothe»
» Gould's Piano
» Impossibility of commerc»
» A perfect "High-End»
» Gould's Goldberg Variati»
» Adding one more non-sphe»
» The corrupted listening »
» The audiophile’s stupid »
» A[nother] Cautionary Tal»
» Russian cello festival
» Some thoughts about Milq»
» Windows Based Transport:»
» Perspective?
» Playing third cartridge »
» Beware of the Arkive Mus»
» Bach's performing space.
» Ophelie Gaillard renders»
» Impulse response, short »
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Classical Music Forum
Toccata Classics
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ElecroVoice’s Vintage Pr»
Lenard's Opals monitor
Jong Woo's Site
Great Plains Audio
Haenssler Classic
Parnassus Records
Great Hong Kong Blog
Dr. Bruce Edgar Interview
Pianist Yakov Kasman
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
REL Precedent 646C tuner
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
Vitavox AK151 15" bass »
Vitavox AK-15/40 15" ba»
Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
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