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» Summary: my/your audio: »
» Performance of a week.
» SCAM! Horn - Academy Phi»
» The DSET perspective exa»
» Polarity Tester – a must»
» Dvorak/"Dumky"»
» Romy...thoughts on Lamm »
» Horn length/expansion/gr»
» The real goals of sound »
» World's First Concrete R»
» Choice of Fireware Inter»
» Denon 103: myths and the»
» Swell New RIAA-Only Phon»
» Josh: My visit to Romy t»
» Martin-Logan, Myles Asto»
» A horrible re-performanc»
» Hideous American operas.
» DIY Firefly Horns
» Michelin horns
» Brahms Double Concerto
» The last phonocorrector:»
» Arsenic bacteria & G»
» 12AX7 or?
» Disregard the industry p»
» Building a new music room
» How to train respect aud»
» Shelter 901 on SME 309 t»
» Wanted Vitavox S2 Origin»
» High-End Audio and.... &»
» Goodbye to EMI?
» A truly cool solution fo»
» The Brain Inertia.
» Interested in reading mo»
» The Opera Room
» Marantz MA-9S2 Monoblock»
» The ferrofluiding of com»
» Ale horns on ebay possib»
» Where is "Good enou»
Bookmarked are red
Russian Records
Russian Music in 20th Ce»
Altec divers/horns
Takashi Asahina Group
VIP Records
Recording Technology His»
Polish GM70 Poject
Classical Composers
The Gustav Mahler Board
Hermann Scherchen discog»
BuyWell CDss
Hickok Maintenance
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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