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» Tanglewood 2010
» Remastering (and re-loca»
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» A quote from a Japanese »
» Don’t "use" VTA
» Bach and Rain
» Use absolute polarity as»
» Any good sounding AES/EB»
» What is High-End Audio, »
» Bid Midbass Asian Horns
» The beauty of Cannibalis»
» Furtwangler War Years Re»
» TOA monster sized compre»
» Sony Blu-spec CD audio f»
» Those little headphones…
» Beware of the "dipo»
» Has anyone ever seen the»
» Macondo's Axioms: Horn-l»
» Platine Verdier Magnum
» There is no need to say »
» How to make musicians to»
» The 500-megawatt FM stat»
» Dannoy 2021 Loudspeakers
» Lavardin discovery
» Thoughs about “My Playba»
» Reflex enclosures used a»
» Mystery Horn ? ? ? anyon»
» Romy the Cat’s Audio Hom»
» Weber’s "Andante e »
» Ultimate Tonearm
» Liszt’s symphonic poems.
» The “Primary Frequencies»
» Monophonic bass: myth an»
» Magico Model 6 loudspeak»
» A CD off tune? The Big C»
» Help with Math needed.
» The “Melquiades” Sound -»
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Opera Collector Guide
Lenard's Opals monitor
Professional Audio Calcu»
WGBH's “Keeping Score”
Martha Argerich Site
The Bruckner Discography
BostonSymphony's Channel
Truesound Transfers
TubeTesters.info
Archives of Canada
StateWork Broadcast Reco»
Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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