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» About HF Binaurallism
» About High-End Audio for»
» Tomorrow in Boston: Yout»
» Help: Building a Melquia»
» Shostakovich‘s "Suite on»
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» 3012, 312, M2-12 or ... ?
» A horn workshop
» Another light for the LS»
» Matching audio to music:»
» Lamm hybrids: M1.2 vs. L»
» An amplifier for Tweeters
» Remote control - the ult»
» Tedeska Cartridges.
» Archimago's Musings talk»
» Mahler: Symphony No. 2 i»
» Lamm LP2 phonostage: rev»
» The cut or not to cut, t»
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» A new 'chic' foolishness»
» GM70 vs. 6C33C
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» The Audio of 21 century:»
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» SS Amplification for Com»
» A revolution for Executi»
» 7788 tube mic pre design
» Cobbett
» The WHRB’s Orgies period.
» A Moscow setup with Horn»
» Glorious HDMI Cable.
» Amplifiers heat… a real-»
» Tannoy Red 1960s: some s»
» How idiots destroy sound.
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» “Melquiades” amplifier: »
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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My Audio Leftovers
Rohde & Schwarz EU-6201»
Hillock TV-2 tube tester
Vitavox AK151 15" bass »
Altec 515B bass drivers
Fane Studio 8 dual conc»
Purist Audio Design Pro»
Vitavox S2 Compression »
“Tree Blind Mice” colle»
Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
Musatex’s Bidat Model "»
More Leftovers »»