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» Making LPs; What Goes In»
» RIAA pole two = 501,12 Hz
» Micro Seiki MAX 282 Ques»
» CEC TL0-X: by no means a»
» The wonderful Alisa Weil»
» Those little headphones…
» Micro Seiki Armboards: I»
» Chinese upperbass horn.
» Rhapsody for Tape Record»
» Ultimate Turntable?
» Think ahead how to measu»
» Hammond?
» Greeting every one
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» About the audio Sources.
» SET and speakers: disreg»
» Active Tonearm Monitorin»
» Driver tubes, grid leak »
» The “Melquíades” d&»
» Gould's Piano
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» Dubbing LP to digital.
» A quest for a better mon»
» Crossover or non-crossov»
» The great Corus performa»
» Try something unusual an»
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» The last phonocorrector:»
» Music and WW3
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» Rebel++ first blood, Amp»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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Composer's Anniversaries
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Antheil, George (8 July 19»
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Dougherty, Terrence Patric»
Repoulis, Michael (12 Feb»
Ferrari, Fabrizio (12 Febr»
My Audio Leftovers
Vitavox 330Hz Horn for »
Sansui TU-X1 Tuner
Fane Studio 8 dual conc»
Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
ESS AMT-1A Heil Air Mot»
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Musatex’s Bidat Model "»
More Leftovers »»