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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Panel with Peter Qvortru»
» Use absolute polarity as»
» The sound of Concert Hal»
» FM Acoustics
» Satisfying result: the R»
» Electro-Voice T350, T35,»
» A synonym of audio revie»
» Practical Guide for Back»
» Vox Olympian secrets unv»
» Professional sound syste»
» The Macondo’s Upper Bass»
» A lucidly implemented di»
» Prom 22 - if only all or»
» Transfer: The reel-to-re»
» Expensive Audiophilism a»
» Weber’s "Andante e »
» ... again on GOTO Unit d»
» "Something is rotte»
» GoodSoundClub – one year»
» Ultimate MF compression »
» More Gieseking!
» Brahms 4th Symphony in i»
» JBL2440 on a round 300Hz»
» Rach’s Prelude in C-shar»
» About TTH characteristic»
» The Abington Something =»
» To hear Haydn for a firs»
» Seven hours of live musi»
» Eduardo de Lima is a fre»
» Horn speaker with dipole»
» Kloss 5-way horns setup.
» Appearance of listening »
» How to get a LOT of SET »
» The silence after coda
» The “sounds” that I am l»
» CD Is Dead. CD Is Dead?
» SPUnisation of Macondo: »
» Shi-Yeon Sung and BSO
Bookmarked are red
Polish GM70 Poject
Virtuosos Discographies
The Tape Project
The AHRC Research Centre
Lenard's Opals monitor
Glenn Gould Audio Archiv»
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WGBH alumni
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Audiofederation's Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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