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» Mendelssohn, Cello Sonat»
» ... again on GOTO Unit d»
» The idiotism of Audio Sy»
» My playback can’t play l»
» Faberryman and the CES 2»
» Musique Concrete horns
» Horn-Kultur 5-Way from G»
» A longer turntable belt.
» The Lieberson’s Neruda S»
» The Full (fuller) Range »
» Copper Mat on a Micro Se»
» The 6E5P tube data.
» The Studio AU projects.
» Interview with Daniel We»
» Harry Pearson new round »
» The unintended consequen»
» The nature of "soun»
» Playlists and patience
» One of the Best Mozart R»
» Understanding Line Array»
» Conclusions on my Home a»
» A quests for an ultimate»
» The Berlin Philharmonic »
» The experiments with rem»
» Here's what's REALLY wro»
» Fidelity Research FR-7
» High Quality Music Serve»
» Maria Callas’s Glory Day»
» Small spaces
» October surprise. NY, NY»
» Hickok Tube Testers: Qui»
» The best Third Movement »
» Ultimate HF output trans»
» A question to DIY musico»
» New old records shopping
» Myth of CD clocking = Tr»
» If I were a High-End Aud»
» “How audio might sound”
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
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Vitavox S2 Compression »
Vitavox AK151 15" bass »
Kenwood L-02T FM Tuner
Rohde & Schwarz EU-6201»
Lamm L2 Reference pream»
Fane Studio 8 dual conc»
Hillock TV-2 tube tester
ESS AMT-1A Heil Air Mot»
LF Transformer for 6C33C
Purist Audio Design Pro»
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