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» Srajan Ebaen and Juicy-C»
» 4-way horn system Prelude
» The 60-inch LF driver.
» About DSET-driven multi-»
» A weekend of treats by B»
» Matching audio to music:»
» FM Acoustics: The most i»
» Harmonies for Bosch’s Ga»
» Natural Remedies for Sic»
» What about 220V 50Hz?
» CD horn and JBL: Crossov»
» Creative listening
» Placido Domingo... condu»
» The irony of playback ph»
» Baseline measurements an»
» Festival “Son & Imag»
» Single Ended Triode dist»
» High-End Audio: buy vs. »
» The New sound of London »
» Commercial finished horn»
» The experiments with rem»
» Summary: my/your audio: »
» Something that a loudspe»
» Vinyl Ceremonies: Repeat»
» 47 Lab Digital
» A new film about Karajan
» Stephen Hartkel, the goo»
» Custom made woofers.
» Romy the Cat’s Audio Hom»
» Correcting Filters and t»
» Sometimes surface noise »
» Brian Cheney of VMPS
» Problems with horns: upp»
» The CES 2005
» Sonic consequences of re»
» High-End Audio demo, the»
» Chinese upperbass horn.
» Some Orchestra on Demand»
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