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» Tosca, Aida, Madama Butt»
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» Convergent Legend Preamp»
» Any good sounding AES/EB»
» Foundation Standarts for»
» Sound of Ehernet cables?
» Gardzienice "Metamo»
» It is about timbres, stu»
» “Hearing Modernity” at H»
» Wilsons, EMM, Ozawa, Sa»
» Subjective evaluation of»
» Klipsch Jubilee
» My (Amplification + Acou»
» Crossover or non-crossov»
» Should I low pass the mi»
» Trinnov amplitude and im»
» Hammond?
» Horn length/expansion/gr»
» Stunning Resurrection in»
» I need a “second-type” p»
» Lavry D9a26 Power Supply
» Musicians' ear
» Don’t "use" VTA
» A new film about Karajan
» Copland/BSO/Copland
» High-End Audio and.... &»
» The "Nubianco"»
» The last phonocorrector:»
» FM and live real-time br»
» It's might be anothe»
» Furtwangler War Years Re»
» It is time for you to de»
» The tools to listening s»
» The Kato-san's Goto »
Bookmarked are red
Martha Argerich Site
Exponential/Hyperbolic C»
The Handelmania Podcast
Russian Music in 20th Ce»
Perer Gulmann's Classica»
The Gustav Mahler Board
Eugene Ormandy Pages
The Cartridge Database
WGBH's “Keeping Score”
Furtwängler's conserts
BuyWell CDss
Recording Technology His»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
Hillock TV-2 tube tester
Rohde & Schwarz EU-6201»
Micro-Seiki MAX-282 To»
Altec 515B bass drivers
Fane Studio 8 dual conc»
Koetsu Onyx Platinum Ca»
Stage Acompany SA8535 d»
Lamm Industries M1.1 Mo»
“Tree Blind Mice” colle»
Vitavox AK-15/40 15" ba»
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