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» What you folks got for B»
» The “guest musician opin»
» Conchita Supervia
» The one-stage Melquiades.
» Shock-absorbing tube soc»
» Who makes horns? Archite»
» CEC TL0-X: by no means a»
» Adding one more non-sphe»
» VMPS RM V60 – kill me, b»
» Use absolute polarity as»
» Audiotism: cable elevato»
» Engaging the David Haign»
» Tubas and Mc-step
» Class “D” – the industry»
» A very good horns system.
» The African compression »
» Goodbye to EMI?
» Big mama 1.5" horns»
» Choosing Someone to Refu»
» The Full (fuller) Range »
» John Curl’s new phonosta»
» The bizarre magnetized 6»
» Constant directivity = c»
» First Bruckner listening»
» THe Audio Critic Magazine
» The most interesting hor»
» Some thoughts about Milq»
» FM and … cables…
» Sub-woofer integration w»
» Koshka gets a beautiful »
» The single-ended pretens»
» Joël Durand Intervi»
» Mystery of bass horn cal»
» What is the difference b»
» The Active High Frequenc»
» Reflections pattern in C»
» My favorite video clips
» NAT Audio Magna -160 Wat»
Bookmarked are red
Martha Argerich Site
Rottenburger Museen
WGBH alumni
Silent Running Audio
Alexander Karpov’s “Next»
Dr. Olson Tribute Site
Find-a-Concert
Japanese's HiFiDo
Tahra Records
Greg Sando’s Site
All Tube Testers
The AHRC Research Centre
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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REL Precedent 646C tuner
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Sansui TU-X1 Tuner
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