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What you folks got for B»
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The “guest musician opin»
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Conchita Supervia
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The one-stage Melquiades.
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Shock-absorbing tube soc»
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Who makes horns? Archite»
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CEC TL0-X: by no means a»
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Adding one more non-sphe»
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VMPS RM V60 – kill me, b»
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Use absolute polarity as»
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Audiotism: cable elevato»
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Engaging the David Haign»
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Tubas and Mc-step
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Class “D” – the industry»
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A very good horns system.
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The African compression »
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Goodbye to EMI?
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Big mama 1.5" horns»
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Choosing Someone to Refu»
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The Full (fuller) Range »
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John Curl’s new phonosta»
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The bizarre magnetized 6»
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Constant directivity = c»
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First Bruckner listening»
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THe Audio Critic Magazine
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The most interesting hor»
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Some thoughts about Milq»
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FM and … cables…
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Sub-woofer integration w»
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Koshka gets a beautiful »
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The single-ended pretens»
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Joël Durand Intervi»
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Mystery of bass horn cal»
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What is the difference b»
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The Active High Frequenc»
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Reflections pattern in C»
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NAT Audio Magna -160 Wat»
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
APR 12
Magdalene Ho, pianis»
APR 12
Takács Quartet in Gr»
APR 12
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APR 17
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In Search of New Wor»
NPR Classical Programs
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Classical Music News
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
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Gomes, Miguel Andrade (21 »
My Audio Leftovers
REL Precedent 646C tuner
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
Vitavox AK151 15" bass »
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Tribute Output Amorphou»
Micro Seiki RX-5000
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
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