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» The 500-megawatt FM stat»
» VMPS RM V60 – kill me, b»
» Balanchine’s “Pathetique”
» Cooperation for the comm»
» PCM63 DAC with Transform»
» Dunlavy SC++ loudspeaker»
» Nicolai Golovanov
» Wiring for box speakers?
» Lamm L1 vs. L2 preamp
» Some Observations about »
» Melquiades: too early fo»
» A complex Audio Question
» Reel-to-Reel Tape vs. Ra»
» Orphean horns / BMS driv»
» Dedicated horn loaded mi»
» Le Poeme Harmonique
» About Harry Pearson lega»
» A DSET is better then an»
» Subjective evaluation of»
» Suggested target curves »
» Romy, how does the origi»
» Opera “Boris Godunov”
» The idiotism of Audio Sy»
» New Sonus Faber
» Initial thoughts about n»
» From bad Opera to good O»
» Software for collection »
» Tchaikovsky: Symphony No»
» Hi from Melbourne, Austr»
» Borbely Audio Take on 6C»
» 'Ideal' ceiling height? »
» Remote control - the ult»
» The 3rd music revolution»
» Zander's new Masterclass
» Remembering Sound…
» Question on speakers
» Beware of the "dipo»
» Any good sounding AES/EB»
Bookmarked are red
Linkwitz's "Laboratory"
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JBL Products
Duntech Audio loudspeake»
Martha Argerich Site
Composers Forum
VIP Records
Cedille Chicago
Instant Encore
Irvington Music
Classic Records UK
Classical Music Network
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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