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» Analog Transfer: the fir»
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» BPO's virtual concert ha»
» A sort of DPOLs
» Tuners and digital noise»
» Metropolitan Opera 2009-»
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» Horn placements - horns »
» Audio system: my path to»
» About Single Driver Spea»
» A new 'chic' foolishness»
» Wasted Time and "be»
» A contemporary AD1 Triod»
» Fun with transformers?
» 100V vs 120V
» A truly cool solution fo»
» Hørning prøble»
» Micro Seiki SZ-1T
» New York Times family ki»
» Building “Zarathustra II»
» Woofer cone materials an»
» Hemp SR plug and listeni»
» The Tenor amplifier and »
» Audio-tekne's "Tone»
» Fake Vitavox S2 diaphrag»
» John Luther Adams's Beco»
» Class “D” – the industry»
» Bye-bye Studer…
» Panel with Peter Qvortru»
» My first audio show. Hmm»
» About dymick sparkling.
» Gershwin's Rhapsody in B»
» Sound of Ehernet cables?
» Spivakov, NPoR Orchestra»
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» What a week in Boston!
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
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APR 19 In Search of New Wor»
APR 24 Re-Imaginings in Che»
NPR Classical Programs
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cellist lynn harrell has di»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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My Audio Leftovers
Vitavox S2 Compression »
Vitavox AK-15/40 15" ba»
Micro-Seiki MAX-282 To»
Koetsu Onyx Platinum Ca»
“Tree Blind Mice” colle»
Korvet “Egg” Tonearm
Conscience of audio rev»
Sansui TU-X1 Tuner
Altec 808A compression »
Electro-Voice T350 twee»
Tribute Output Amorphou»
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