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» Long time due: Digital P»
» ESS Connoisseur: a sensi»
» Playing American Music o»
» An amplifier for Tweeters
» A magnetic hybrid driver.
» Do not pursue full-range»
» The corrupted listening »
» 43.7 Times the Price of »
» The experiments with rem»
» Some analysis of the Joe»
» A discussion about the a»
» Super Melquiades, Macond»
» Okada’s installation.
» It is about timbres, stu»
» Reflections pattern in C»
» A very slow monolog abou»
» EnABL: Just a note to aw»
» What drives your musical»
» To Rip or not to Rip.
» Audio Covid and some hom»
» Another light for the LS»
» Better solution for bein»
» The sound of Concert Hal»
» Playing bad recordings u»
» Macondo’s Midbass Projec»
» Dedicated horn loaded mi»
» Observations and Thought»
» Lamm LP2 phonostage: rev»
» Beethoven PC 5 Surprise »
» Electro-Voice T350, T35,»
» Myth of CD clocking = Tr»
» Denon 103: myths and the»
» Critique audio performan»
» A tale of two DACs
» 6E6P-DR in triode mode
» R22
» Audio Enigma Variation
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Classical Recordings New»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Micro-Seiki MAX-282 To»
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