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» The Mercury "Rigole»
» The corrupted listening »
» Preamplifiers: keys to m»
» State Symphony of Russia»
» More Gieseking!
» Boston Vinyl Stores?
» A revolution for Executi»
» A perfect "High-End»
» A “pocket version” of Br»
» Floor reflections
» Brahms, "Liebeslied»
» What constitutes a great»
» Use absolute polarity as»
» Kloss 5-way horns setup.
» The Macondo’s Upper Bass»
» Problems with horns: mid»
» Why the tubes shall be t»
» Vendors’ Egos.
» Srajan Ebaen and Juicy-C»
» Shostakovich’s 100th bir»
» A quest for a better SET.
» Conchita Supervia
» There is Bruckner and th»
» Correcting Filters and t»
» An objective tool to tra»
» A better way of approach»
» What is it all about? De»
» Creative listening
» Haniwa Cybernetic Audio »
» BW Broadcast RBRX Encore»
» Rachmaninoff’s Symphony »
» About rationalism of twi»
» Looking for different So»
» High End speakers Evolut»
» Tweeters for Altec 420y »
» “Hearing Modernity” at H»
» First Bruckner listening»
» Music in the Sound: a mo»
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Duke Classical
Truesound Transfers
Decca Classical discogra»
Ward Marston's "Marston"»
Wing Records
Spinning Dog Records
Exponential/Hyperbolic C»
Silent Running Audio
Classical Music Streams
Pjay's Speaker building »
Scriabin's Sonatas
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