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» Sibelius VC; Furtwangler»
» A CD playing audio perso»
» Lamm introduced LL1 Sign»
» Lamm hybrids: M1.2 vs. L»
» Celibidache / bruckner
» How does it sound?
» The Thomas Blumenhofer’s»
» Eighteen Sound ND1460A c»
» Audio cabinet of curiosi»
» Klipsch Jubilee horn
» Absolutely the best audi»
» Arranging my records col»
» What you folks got for B»
» Tube outputted CDP's and»
» DeCompressor - Puncher P»
» The 'Beethoven Test' of »
» Meyer X-10
» Beware of the monophonic»
» Bruckner 8 in Washington»
» DSET and Cables.
» USB microscope for setti»
» How to evaluate playback»
» The Sakuma's Show
» The 5th horns in stack o»
» Lamm’s new phonostage.
» First Bruckner listening»
» The path of simplificati»
» The “Melquiades” Sound -»
» It’s mad, mad, mad... e»
» Solid state revisited
» New Lynx A/D and D/A pro»
» Some kind of Grundig…
» Correcting Filters and t»
» CEC TL0-X: by no means a»
» About bass horns by Joha»
» Seven phases in the life»
» Audio Shopping vs. Piano»
» NOhorn channel for “the »
Bookmarked are red
Glenn Gould Audio Archiv»
Musical Musings
Audio Spot Kamani
Female Composers Site
Orchestra on Demand
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Furtwängler's conserts
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Music & Arts
MusicWeb
Heart's Ease
Spinning Dog Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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