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» Bach Cello Suites
» Speaker hunting
» The sound of Concert Hal»
» The CES's 2011 horns
» Hans Deutsch active acou»
» The Lieberson’s Neruda S»
» A random neutralness
» Klangfilm: actual knowle»
» My first audio show. Hmm»
» To Rip or not to Rip.
» Hildegard von Bingen on »
» Lamm L1 vs. L2 preamp
» Audio treasure find
» Does horn surface porosi»
» Jessie Dazzle Project
» I do not know what else »
» The “sounds” that I am l»
» Tube GU-29
» OK, digitechs, why won't»
» Dennis Colin's Sound Str»
» Mystery of bass horn cal»
» Trading cable elevators »
» Incorporating active cro»
» Shostakovich‘s "Suite on»
» Bach, Brandenburg Concer»
» From Newton to Einstein
» Shock-absorbing tube soc»
» Education vs Magic
» Romy The Cat's new Liste»
» Asyncronus USB
» Zebra horns painting?
» High-End Audio Topologie»
» How to make a playback t»
» Cool running AB amplifie»
» Worcester Music 2009-201»
» High-End Audio demo, the»
» That is not 1812 and the»
» A right midbass solution»
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Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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