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» The Hand Clapping by Fra»
» Suggested target curves »
» TOA monster sized compre»
» ... again on GOTO Unit d»
» BiDat: One more output
» The ultimate worst best »
» The short "6C33C Su»
» Bermuda Triangles of Aud»
» That is not 1812 and the»
» A new European productio»
» Allnic Verito MC Phono C»
» Some Audiogon realty
» Big room vs small room
» High End Munich 2014 imp»
» The Brain Inertia.
» Amplification and Consci»
» How to build the best au»
» The single-ended pretens»
» Not new, but VERY intere»
» Something that a loudspe»
» Soprano Sally Matthews.
» How to evaluate playback»
» 6C33C socket types, wher»
» A DSET is better then an»
» Why I hate HornResp.
» Better chassis design fo»
» Bach's performing space.
» Dedicated horn loaded mi»
» Tchaikovsky Symphony #4
» If you are in Bruckner: »
» Micro SX8000I: noisy pum»
» Thank you, Sir! May I ha»
» The bogusness of the coa»
» Ludwig van Beethoven &qu»
» How to switch moving coi»
» Why horn-loaded loudspea»
» MBS Platinum ADC
» What lives in Symmetric »
Bookmarked are red
The Handelmania Podcast
Twogoodears' Blog
American Broadcasting
Tonal tests
Boston Philharmonic Orch»
Decca Classical discogra»
Wood Horn Speakers
THL Audio
Lenard's Opals monitor
Appian Publications & Re»
Orchestra on Demand
Parnassus Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Musatex-TP Bidat 20-Bi»
LF Transformer for 6C33C
Altec 808A compression »
Vitavox AK-15/40 15" ba»
Lamm ML-2 Single-Ended »
Vitavox S2/S3 diaphragms
Lamm L2 Reference pream»
Micro Seiki RX-5000
Pacific Microsonics Mod»
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Micro-Seiki air-suspend»
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