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» Crash course on horns an»
» Glorious HDMI Cable.
» The Saudi Arabia and Uni»
» Sick CEC TL0
» Le Poeme Harmonique
» Dukane 5A540 Compression»
» Do not pursue full-range»
» Expressive Technologies »
» Rightsizing from extreme»
» Sibelius VC; Furtwangler»
» The "new" Shos»
» Amazing Altec 288 ++
» The John Barbirolli’s wi»
» The sound compromises of»
» Despicable me
» Julia Fischer in Boston »
» Zanden 2500S CD player +»
» Altec cabinet: 815a
» DAC Recommendations
» Suggested target curves »
» “FM live” file exchange »
» Creative listening
» Splitting XLR into Multi»
» Recommend me works to ge»
» John Cage about silence »
» It was seventy years ago»
» An interesting TT link: »
» NASA Reverberant Acousti»
» Upperbass horns – tone v»
» Why I hate computer play»
» How to make musicians to»
» The ultimate buffer #2..»
» Ravel Piano Concerto No2
» The 500-megawatt FM stat»
» Copper Mat on a Micro Se»
» Good midbass is complica»
» THe Audio Critic Magazine
» About playback and messa»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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it’s (almost) business as »
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CEC TL-0 MK2 transport
Korvet “Egg” Tonearm
Micro-Seiki MAX-282 To»
Kenwood L-02T FM Tuner
ESS AMT-1A Heil Air Mot»
Electro-Voice T350 twee»
Vitavox AK151 15" bass »
Musatex-TP Bidat 20-Bi»
Koetsu Onyx Platinum Ca»
Vitavox S2 Compression »
Stage Acompany SA8535 d»
More Leftovers »»