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» Macondo: new horizons. A»
» Real-time free and publi»
» The “Melquiades” Sound -»
» Horns and digital crosso»
» Carbon Interconnect
» Do curved corners help???
» Another horn manufacturer
» It is imposable to “hear»
» VoES
» Sub-woofer integration w»
» The "artificially&q»
» Selling Audio...
» Matching audio to music:»
» Bass impact on Turntable»
» Audio industry metaphor
» A different type of uppe»
» We who are about to die.»
» Why Hight-End Audio, as »
» A book about Loudspeaker»
» PCM63 DAC with Transform»
» A slightly crazy idea fo»
» Educate yourself WHY you»
» Kharma Speakers as pH-in»
» Avantgarde Trio G3 Louds»
» A quote from a Japanese »
» Graphene for Audio
» I think it is the end.
» A Simple Question (or 3)»
» HD Radio? Good, bad or u»
» The new FM Classical sce»
» The Andrew Rose’s “Prist»
» Too damn loud?
» Romy the Cat's Audio»
» Measuring reality: empir»
» Parts As Facilitators or»
» The Remote System Manage»
» Berlioz Requiem / Pavaro»
» This new midbass horn di»
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Spinning Dog Records
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
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AUG 3 Chamber Music in Woo»
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CEC TL-0 MK2 transport
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