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» The objectives of Einste»
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» Rudolf Barshai conducts »
» Good midbass is complica»
» Bruckner at 24bit.
» Sound Quality and “Elect»
» The pianist Yuja Wang … »
» Credibility of digital i»
» Hildegard von Bingen on »
» Tritium Turntables
» Speakers: a hi-fi disast»
» Non-Jewish Jewish music »
» Playing American Music o»
» The “Right of Spring” – »
» Boston Vinyl Stores?
» Here is my new tonearm.
» Digital Equalization
» Weber’s "Andante e »
» Output transformer for b»
» His Master Voice’s Shade»
» A datacenter at home and»
» Turntable speed analysis.
» The Edgarhorn RTA respon»
» Digital crossovers self-»
» Soundsmith’s analog idea»
» What, no Mahler?
» Orphean horns of bd desi»
» The "mystery&am»
» $350.000 of audio-script»
» An interesting comment, »
» Dannoy 2021 Loudspeakers
» The Melquiades bass chan»
» Course & guide on ho»
» Tannoy Red or Gold monit»
» About audio Crashes.
» Practical Guide for Back»
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AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
Koetsu Onyx Platinum Ca»
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Altec 515B bass drivers
ESS AMT-1A Heil Air Mot»
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Ortofon Mono CG 25 Di c»
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