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» My beloved Contraltos: k»
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» Need A audio connector &»
» New Barenboim’s Bruckner»
» Is better than Kinetic S»
» About DSET-driven multi-»
» Goodbye to EMI?
» Those little headphones…
» French Horns/drivers sho»
» Bye-Bye Reel
» Why the tubes shall be t»
» Single-stage Melquiades »
» American National Record»
» Upperbass horns – tone v»
» Think Denk and op.106
» Plaishner 3-way speaker.
» Classical Music for the »
» Equalizer? Hm…
» Bach by Ormandy’s Philad»
» Ludwig van Beethoven &qu»
» I would like to believe »
» Listening playback with »
» “They either adore me or»
» Despicable me
» The Remote System Manage»
» The ULF cannel for my ne»
» AMR PH-77: just another »
» FM Acoustics: The most i»
» Online Music Store in Eu»
» The global live televisi»
» Dubbing LP to digital.
» Too damn loud?
» Nanse Gum and his Euro-A»
» SPUnisation of Macondo: »
» Suggested target curves »
» Vitavox S2 driver made i»
Bookmarked are red
Direct Drive TT
Dolmetsch Online
Japanese's HiFiDo
Club Abbadiani Itineranti
Doremi CD label
John Lenard Burnett's si»
Appian Publications & Re»
Opera America
Piano Wizard
The National Valve Museum
GEMM catalog
Female Composers Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Lamm L2 Reference pream»
Mid-range tantrix round»
Hillock TV-2 tube tester
Kenwood L-02T FM Tuner
Vitavox S2 Compression »
Koetsu Onyx Platinum Ca»
Lamm ML-2 Single-Ended »
Electro-Voice T350 twee»
“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
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