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» The Evolution (or Anti-E»
» The “Melquiades” Sound -»
» Analogue to digital conv»
» It is imposable to “hear»
» The "NEW T.H.E Show»
» A great article from Pet»
» About Darwinism of Music»
» Another (outdoorsy) swea»
» DAW is down… new DAW.
» Rhapsody for Tape Record»
» I do not even know where»
» Ophelie Gaillard renders»
» Ah Mravinsky !
» Walter conducting Vienna»
» The path of simplificati»
» The "artificially&q»
» X-mas list
» Emmerich Kalman (1882-19»
» “Why horns”, years later.
» Relief from micro-arcing»
» Belcea Quartet
» Wiener Philharmoniker r»
» Analog vs. Digital... wi»
» Attempt of a playback sy»
» Digital Voicing
» Sound from behind a wind»
» The decentralization and»
» About the (secret) rules»
» The EdgarHorns: the new »
» What is it all about? De»
» The commercial music ser»
» Looking for different So»
» A new European productio»
» Some thoughts about Milq»
» JBL 2226 2445 2405 3-way»
» Satisfying result: the R»
» Time alignment of drivers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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