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» Double enclosure or usin»
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» Cessaro Gamma II and Ome»
» The “Melquiades” Sound -»
» Life 3.0
» Speakers: a hi-fi disast»
» Excerpt: Beethoven Cello»
» Denouncing of idea of Ba»
» My beloved Contraltos: k»
» The pianist Yuja Wang … »
» Paradoxes of my Racism.
» Bruckner integral
» The industry’s high qual»
» Le Poeme Harmonique
» Brahms, "Liebeslied»
» Incorporating active cro»
» Srajan Ebaen and Juicy-C»
» S2 Hissing Sound
» ELROG tubes sinked but s»
» I think my Dynavector 10»
» Melquiadising other amp?
» I need a “second-type” p»
» Shindo Latour
» 5 way system in the UK
» Balanchine’s “Pathetique”
» Book "High Quality »
» Tritium Turntables
» Audio vs. Musical pitch
» Single Ended Triode dist»
» Looking to brainstorm st»
» The Free Intent Audio Jo»
» Stands for Super Melquia»
» A great article from Pet»
» Crash course on horns an»
» About TTH characteristic»
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Audiomisc
Paul's Antenna Attic
Tempo-Electric - Arthur »
Jogis Röhrenbude's Site
ClassicalNet
The Soul of Sound
Direct Heated Rob
Art Songs and Librettos
Rachmaninoff Society
Phono EQ
Exponential/Hyperbolic C»
AudioTools
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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