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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The Abington Something =»
» Just-Sound of Audio vs. »
» Thinking about Bruckner »
» Introduction to “Melquia»
» Explain TAD ET-703 drive»
» Who builds horns?
» CES – constant but fortu»
» Tanglewood 2010
» Tannoy Red 1960s: some s»
» A truly cool solution fo»
» DBT - a signature of lis»
» Yet another Gould box se»
» Zander's new Masterclass
» Ca(r)t before the horse:»
» More about Vienna Philha»
» Bruckner 8 in Washington»
» The contra-ridicules sol»
» Dvorak Piano Quintet
» Lamm ML2.0 & Lamhorn»
» How playing an instrumen»
» More or less pleasure: w»
» UHF capable tweeters and»
» Analogue to digital conv»
» Live vs. Recorded transc»
» Polish Chamber Choir - S»
» Liszt’s symphonic poems.
» Audio Shopping vs. Piano»
» About rationalism of twi»
» Pacific Microsonics Mode»
» Mystery Horn ? ? ? anyon»
» Splitting XLR into Multi»
» High End Audio and music»
» Compression at WCRB - b»
» Dream Hi-Eff Speakers fo»
» What lives in Symmetric »
» Lamm introduced LL1 Sign»
» The not-so-big listening»
» June in Boston with Earl»
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Conductor’s Corner
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Willem Mengelberg discog»
Musical Musings
Soviet Composers
Classic Artc Showcase
Silent Running Audio
Michelangeli Discography
Nubes Partem
Qualiton
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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FEB 23 Discovery Series»
FEB 23 Andris Nelsons, cond»
FEB 24 EMMELINE by Tobias P»
FEB 24 Bach: Mass in B Mino»
FEB 25 EMMELINE by Tobias P»
FEB 25 Boston Philharmonic»
FEB 25 Faculty Artist Recit»
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looking back on haydn’s le»
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Vitavox S2/S3 diaphragms
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CEC TL-0 MK2 transport
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ESS AMT-1A Heil Air Mot»
Hillock TV-2 tube tester
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