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» Single-stage Melquiades »
» Mendelssohn, Cello Sonat»
» Yep, Bach would do it….
» Andrew's new 4-way horn »
» Shostakovich‘s "Suite on»
» Available Blenders and S»
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» Stravinsky and Headphone»
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» Callas and Tebaldi Compa»
» 7788 tube mic pre design
» The 'nature' of said rea»
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» My Audio Philosophy
» Woofer cone materials an»
» Sound of Ehernet cables?
» Unexplained haunting exp»
» Is better than Kinetic S»
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» Recording options: Pacif»
» 47 Lab new turntable and»
» Digital recorders: what »
» Very in depth considerat»
» Rubinstein at Carnegie H»
» “Why horns”, years later.
» LLoyd Walker Never Rests
» How does it sound?
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Rottenburger Museen
Max Robinson’s “Fun With»
Audio Anthology
Audiomisc
Radiotron Designers Hand»
ElecroVoice’s Vintage Pr»
Berkshire Record Outlet
33+45=78
Rachmanionoff's links
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Willem Mengelberg discog»
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
AUG 19 Andris Nelsons, cond»
AUG 20 Chamber Music»
AUG 20 Borromeo String Quar»
AUG 21 Ying Quartet»
AUG 23 Landmarks Dance Carn»
AUG 23 Schuberts Summer Jou»
exclusive first listen: hel»
unearthing mendelssohn's lo»
felix mendelssohn's 'scotti»
felix mendelssohn's genius »
love and lunacy: vivaldi's »
composer, conductor lukas f»
modern music sweep for clas»
russian valentine: prokofie»
can classical music take a»
classical music in nyc thi»
meet the new generation le»
review: concertgebouw orch»
haydn in plain sight»
can philippe jaroussky hel»
philippe jaroussky réussir»
after 50 years, israel phi»
what a hologram of maria c»
review: roomful of teeth s»
review: a conductor’s exci»
classical music in nyc thi»
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Fuchsmann, Michael (21 Jan»
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Micro-Seiki air-suspend»
Fane Studio 8 dual conc»
Micro-Seiki Arm Board
Altec 515B bass drivers
Vitavox S2 Compression »
Lamm L2 Reference pream»
Altec 808A compression »
Vitavox S2/S3 diaphragms
Vitavox AK151 15" bass »
Ortofon Mono CG 25 Di c»
Koetsu Onyx Platinum Ca»
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