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» Updated view: The Optima»
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» Every crowd has a silver»
» America, version 2004
» Stupid SME question abou»
» Single-stage Melquiades »
» Is horn a natural shape?
» Alicia De Larrocha, Bach»
» The best speaker in the »
» The funny Internet audio»
» The Krell’s cursed Sound»
» Some Observations about »
» Happy New Year
» Achingly Beautiful Arias
» Bahnsen Horns + some fre»
» Bose audio and industry »
» Etheraudio's some BS….
» Compression at WCRB - b»
» World's First Concrete R»
» How to get a LOT of SET »
» Another horn manufacturer
» A response to David Hurv»
» The Evolution (or Anti-E»
» Moerch DP6 and DP8 “anis»
» Deep End DIY - Austral»
» Always check power-line »
» Rudolf Barshai conducts »
» A big subwoofer vs. an a»
» Back chamber
» Acoustics of Avery Fishe»
» Horn Enclosures & &q»
» A car with vacuum tube..»
» The Silence of the Lamms!
» What constitutes a great»
» Klipsch Jubilee
» The Norman Lebrecht’s ar»
» The ferrofluiding of com»
» Some kind of Grundig…
Bookmarked are red
Holger Klein's Soundpage»
Twogoodears' Blog
Rottenburger Museen
High-End Audio
Appian Publications & Re»
Takashi Asahina Group
Rachmanionoff's links
Radios for Sale
The National Valve Museum
Greg Sando’s Site
Dolmetsch Online
Museatex
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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ESS AMT-1A Heil Air Mot»
Musatex-TP Bidat 20-Bi»
Tribute Output Amorphou»
LF Transformer for 6C33C
CEC TL-0 MK2 transport
Rohde & Schwarz EU-6201»
Altec 515B bass drivers
Korvet “Egg” Tonearm
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Musatex’s Bidat Model "»
Fane Studio 8 dual conc»
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