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» The Patrick Flanagan’s N»
» SET and speakers: disreg»
» Audiotism: cable elevato»
» The nature of "soun»
» Goto SG-370DX measurement
» What a trip 30 years bac»
» Problems with horns: mid»
» Richard Wetz and Martin »
» Help to identify the LF »
» My CES
» Gospel, pop, jazz and co»
» Hammond?
» How many Bits needed for»
» Audio critique – open yo»
» A cutoff horn loudspeake»
» Recommendation Bruckner »
» Tubas and Mc-step
» The African compression »
» Antenna attenuator – you»
» To play my 88/24 files o»
» Problems with horns: twe»
» A contemporary AD1 Triod»
» 45Hz Bass Horn
» Remedies the Beauty
» The New York Philharmoni»
» The great pianist Earl W»
» “FM live” file exchange »
» The most emblematic reco»
» “How audio might sound”
» Bye-Bye Reel
» Electrostatic tweeter fo»
» Not new, but VERY intere»
» The Opera Room
» High Quality Music Serve»
» If you’re multiamping th»
» Strings reinforced sound»
» Phono stages with SU-1
» Pro Audio: JBL SR-4735X
Bookmarked are red
Art Songs and Librettos
Neal's Recordings
BuyWell CDss
Glenn Gould Audio Archiv»
StateWork Broadcast Reco»
Wolds Opera Broadcasts
WGBH's “Keeping Score”
Olson Acoustical Book
Cedille Chicago
Value of Records Tool
Spinning Dog Records
Thunderstone Audio Websi»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
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Korvet “Egg” Tonearm
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Musatex’s Bidat Model "»
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Electro-Voice T350 twee»
Hillock TV-2 tube tester
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