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» An angry engineer...
» Zander's new Masterclass
» About Timbre and Audio.
» Horn length/expansion/gr»
» The “Primary Frequencies»
» Amazing Altec 288 ++
» A quest for a better SET.
» We who are about to die.»
» Recording/Playback softw»
» Satellite radio
» Why horn-loaded loudspea»
» The DSET perspective exa»
» Problems with horns: twe»
» The FM Radio. What a Hel»
» The nature of "soun»
» Rare Onkyo HM-300 MK2 Ho»
» It is Miracle
» The ferrofluiding of com»
» The “Dead Points of Live»
» Why Horn loaded systems?!
» Zebra horns painting?
» Hans Vonk Legacy
» Starting from scratch - »
» Tanglewood 2010
» Schimmel's Voxativ Ampeg»
» Not just another leather»
» A great conductor - but »
» A quest for a better mon»
» Vitavox ak151 in klipsch»
» Buzz/Kill, and The Most »
» Russian cello festival
» High End speakers Evolut»
» Some thoughts about Milq»
» Bias help
» Michelin horns
» Playing American Music o»
» Plaishner 3-way speaker.
» New Shalin Liu Performan»
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Loudspeaker Designer's G»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Korvet “Egg” Tonearm
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REL Precedent 646C tuner
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Altec 515B bass drivers
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Micro Seiki RX-5000
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Micro-Seiki air-suspend»
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