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» Günter Wand Intervi»
» About TTH characteristic»
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» Hässler sonata: Gra»
» National Youth Orchestra»
» The elusive “absolute to»
» Kloss 5-way horns setup.
» RIAA pole two = 501,12 Hz
» My CES
» Looking for different So»
» Ever thought about how m»
» Walter conducting Vienna»
» Weiss MAN301 Music Server
» “Harmonic Speed”- friend»
» DA architecture: True M»
» Lavry D9a26 Power Supply
» The Opera Room
» Push pull compound compr»
» Bye-bye Studer…
» Mahler 3 and BPO.
» Levels of High End Audio»
» New Barenboim’s Bruckner»
» About HF Binaurallism
» New, Transparent Speaker»
» Just-Sound of Audio vs. »
» Archimago's Musings talk»
» Micro Seiki RX-5000 stat»
» Think Denk and op.106
» The new releases from &q»
» Smetana's Piano Trio
» Vitavox S2 coupling
» The K&K SE hybrid ph»
» Macondo’s MiniMe or abou»
» Streophile show 2007 and»
» A Cardboard Effect.
» Do the Filament Transfor»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Lamm L2 Reference pream»
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Electro-Voice T350 twee»
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