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» Attention Sound Engineer»
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» Mstislav Rostropovich Di»
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» Reel Machines :-O
» Open cell foam in horns »
» A new film about Karajan
» MF on AF2, and (perhaps)»
» Non-MDF horns
» Time Alignment : Live Pe»
» Using chairs as phase ra»
» A resistor between scree»
» Playback and chamber mus»
» Michelin horns
» BAAS posting of two raw »
» Film in Boston: "An»
» Audio system: my path to»
» 4-sale items
» Digital recorders: what »
» The Studio AU projects.
» DVD for pop, SACD for cl»
» What is wrong there and »
» The Trout - Perlman, Ba»
» A Simple Question (or 3)»
» The 3rd music revolution»
» Why I hate computer play»
» Rudolf Barshai conducts »
» Horn-Kultur 5-Way from G»
» “How audio might sound”
» Mitigating Undesired Hig»
» Moscode, Morecode, Moron»
» The Berlin Philharmonic »
» Tedeska Cartridges.
» BSO and 192kps
» PS Audio's digital appro»
» Yarlung Records at 24 bi»
» The commercial music ser»
Bookmarked are red
Irvington Music
Boston Philharmonic Orch»
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Vincent Brient's Sit
Valves Collection
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Berkshire Record Outlet
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Inbal Segev, cellist»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Thompson, Randall (21 Apri»
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Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
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Mid-range tantrix round»
Hillock TV-2 tube tester
Musatex-TP Bidat 20-Bi»
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Lamm Industries M1.1 Mo»
Sansui TU-X1 Tuner
“Tree Blind Mice” colle»
Stage Acompany SA8535 d»
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