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» The girl with banjo - th»
» Digital crossovers self-»
» How we "think"»
» The beauty of Cannibalis»
» Every crowd has a silver»
» Ortofon MC Anna cartridg»
» When the stars aligned.
» Disregard Digital with V»
» Some horn writing by Tho»
» Subjective evaluation of»
» What is High-End Audio, »
» Prom 22 - if only all or»
» The new FM Classical sce»
» Horn speaker with dipole»
» Flac 16bit/48Khz streami»
» Dannoy and oxytocin...
» The New Year Concerts wi»
» Bach's performing space.
» Is anybody live in Austr»
» More about the EdgarHorn»
» Is better than Kinetic S»
» Ultimate MF compression »
» Making of a Steinway.
» Speakers: a hi-fi disast»
» My feelings about new ex»
» How audio started….
» Playing bad recordings u»
» Recording options: Pacif»
» Playback and Perception »
» The nature of "soun»
» Passive line level cross»
» Outdoor horns
» Lamm hybrids: M1.2 vs. L»
» Cmpare them
» Johannes Brahms - Sympho»
» A CD player of today… 20»
» LeCleach vs. tratrix and»
» Dvorak Piano Quintet
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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he wasn’t toscanini, but h»
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Huber, Klaus (30 November »
Hunt, Jerry (30 November 1»
Vitavox S2 Compression »
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Micro-Seiki air-suspend»
Altec 515B bass drivers
Musatex’s Bidat Model "»
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
Koetsu Onyx Platinum Ca»
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
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