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» A stunning contra-Bruckn»
» To Rip or not to Rip.
» Audio critique – open yo»
» Holly Proscenium idiocy!
» A revolution for Executi»
» Choice of Fireware Inter»
» Sound of Ehernet cables?
» Okada’s installation.
» JMLC horns profile?
» RAAL Dipole Ribbon Tweet»
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» If I start High-End Audi»
» Short midbass horns
» October surprise. NY, NY»
» Munich High End 2011
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» The Color of Bass
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» Do curved corners help???
» Philosophical approach t»
» GM70 vs. 6C33C
» Klipsch Jubilee
» Who the hell is this int»
» Elgar conducts Elgar.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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cellist lynn harrell has di»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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‘the lost pianos of siberi»
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leon fleisher, 92, dies; s»
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Composer's Anniversaries
Praetorius, Jacob (8 Febru»
Torelli, Giuseppe (22 Apri»
Grétry, André-Er»
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Vermeulen, Matthijs (8 Feb»
Lutosławski, Witold (»
Williams, John (Towner) (8»
My Audio Leftovers
Conscience of audio rev»
Musatex-TP Bidat 20-Bi»
Micro-Seiki MAX-282 To»
Altec 808A compression »
Purist Audio Design Pro»
Koetsu Onyx Platinum Ca»
Vitavox 330Hz Horn for »
“Tree Blind Mice” colle»
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Lamm Industries M1.1 Mo»
CEC TL-0 MK2 transport
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