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» What constitutes a great»
» Think Denk and op.106
» What is interesting abou»
» Liszt’s symphonic poems.
» Copyright protection for»
» Any good sounding AES/EB»
» An amplifier for Tweeters
» Closer to the musicians »
» Some Audiogon realty
» Thoughts on midbass horn»
» Evaluation of tractrix c»
» Altec Lansing model 19 c»
» SME M2-12 tonearm
» What to do in England?
» If I were a High-End Aud»
» SET and speakers: disreg»
» Reflections pattern in C»
» Saying goodbye to the di»
» Analogue to digital conv»
» Boston Philharmonic Mahl»
» Listening Pipe Organ Mus»
» Romy's Horns
» The Multicells HF Horns.
» HDTracks- 50% Off of any»
» Rachmaninoff’s Symphony »
» A turntable platter as a»
» Upper-Sound of Upper-Imp»
» Rakeshorns
» A dive to Auro 3D
» Aries Cerat Contendo - t»
» The RCA’s 6C33C sockets?
» Expectations in the conc»
» Audio equipment vs. live»
» A use of extraordinarily»
» WGBH Opera Bash 2009
» Updated view: The Optima»
» It was seventy years ago»
» Get, or made up a tube t»
Bookmarked are red
Wiener Philharmoniker Di»
Duke Classical
Robert Greene’s "Reg on »
Tubecad publication
Western Electric manuals
OperaGlass
Joachim Raff Society
Classical Music Forum
MetManiac Opera Archive
The National Valve Museum
WGBH alumni
GedLee loudspeakers
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
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