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» Friedrich Kuhlau and his»
» Parts As Facilitators or»
» Elgar conducts Elgar.
» Preamplifiers: keys to m»
» About cost of electromag»
» Rachmaninoff Piano Conc»
» The Museatex Bidat pages.
» Conchita Supervia
» Another "Top five t»
» Future of high-end audio
» Cmpare them
» FM and … cables…
» Tosca, Aida, Madama Butt»
» 3 ways how I listen to m»
» My first audio show. Hmm»
» Wilson Audio and the Moo»
» EnABL: Just a note to aw»
» High-End Audio, how to »
» Koussevitsky and La Mer
» Puccini: Tosca
» Neat reminiscences from »
» Hammond?
» Ultimate Tonearm
» Miniumum sample rate for»
» Magico Model 6 loudspeak»
» SS Power Amps - the FoxN»
» World's First Concrete R»
» Seven hours of live musi»
» Lamm ml2 voltage 110v to»
» Etheraudio's some BS….
» An angry engineer...
» Allnic Verito MC Phono C»
» DBT - a signature of lis»
» Russian mythology and Ho»
» 6C33C loading in Super M»
» Rachmaninoff PC 2: Conce»
» Observations and Thought»
» The nature of "soun»
Bookmarked are red
Nubes Partem
WGBH alumni
Rachmanionoff's links
Toccata Classics
Adnan Arduman's site.
American Broadcasting
Takashi Asahina Group
BostonSymphony's Channel
Appian Publications & Re»
Opera Collector Guide
Classical Music Streams
Input Choke & Resonant C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Pacific Microsonics Mod»
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LF Transformer for 6C33C
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Stage Acompany SA8535 d»
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
Musatex-TP Bidat 20-Bi»
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