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» Engineering over Art
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» Acoustics of Avery Fishe»
» Shi-Yeon Sung and BSO
» New York Times family ki»
» Audio equipment recommen»
» Clark Johnsen.
» Best of the HE2006!!!
» RDANA - about banning no»
» A minor Audio depression»
» Phoenix
» One of the Best Mozart R»
» Tree motors from one sid»
» Altec Model 19 in Boston.
» The CES 2005
» Melquiades: too early fo»
» Czech Republic's Audio
» My playback: what is nex»
» Orchestra of 32 Loudspea»
» Using chairs as phase ra»
» BAAS posting of two raw »
» My current conductor obs»
» Fire and Music
» Hammond?
» The power AC Outlets?
» Tuners and digital noise»
» About my listening habit»
» Some thoughts about Milq»
» Professional sound syste»
» Midbass Horns and Real E»
» A complex Audio Question
» William Kapell legacy an»
» Lamm Industries: a speci»
» A big subwoofer vs. an a»
» Bartok piano works
» The cut or not to cut, t»
» The industry-embraced au»
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AUG 1 Chamber Music in Bru»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Gryphon Trio in Rock»
AUG 3 Chamber Music in Bru»
AUG 4 Chamber Music in Bru»
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another trump blunder»
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Sinisalo, Helmer-Rayner (1»
Mauldin, Michael (14 June »
So, Mark (14 June 1978- )»
Pacific Microsonics Mod»
CEC TL-0 MK2 transport
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Micro-Seiki Arm Board
Purist Audio Design Pro»
Sansui TU-X1 Tuner
Lamm Industries M1.1 Mo»
Tribute Output Amorphou»
Koetsu Onyx Platinum Ca»
Micro-Seiki air-suspend»
LF Transformer for 6C33C
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