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» Object-oriented audio re»
» A request to all posters»
» Rebel++ first blood, Amp»
» A need for Resolution /S»
» Some thoughts about bass»
» The “Primary Frequencies»
» 3 ways how I listen to m»
» Italy’s the best: Michel»
» Melquiades: too early fo»
» Playback evaluations mad»
» Single-stage Melquiades »
» Horn-Kultur 5-Way from G»
» Better solution for bein»
» How to record FM broadca»
» The High Resolution PCM »
» How does it sound?
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» My today’s views on LP c»
» (Whose) classical music.»
» Sounds of Science
» Tannoy Red 1960s: some s»
» Melquiades (D-Set) parts»
» Cats and hifi
» If you were to start fro»
» NOS Wagner move - what i»
» Brahms' Magelone Songs
» George Orwell and loudsp»
» ULF: where is the border»
» The best speaker in the »
» Tweeter for Vitavox S2. »
» Natalia Gutman (!) in Bo»
» About Omnivorenes of Pla»
» Lamm introduced LL1 Sign»
» Midbass Horns and Real E»
» JMLC horns profile?
» A strange urge.
» Avantgarde method of cap»
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JPC CD Store
BuyWell Australia's Clas»
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Electron Tube Data sheets
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Glenn Gould Audio Archiv»
OperaGlass
The Music Parlour.
Thomas Dunker's Site
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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REL Precedent 646C tuner
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