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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Thoughts on midbass horn»
» The 6E5P tube data.
» Boston and Bruckner
» The “sounds” that I am l»
» Why David Robertson does»
» Correcting Filters and t»
» Remote control, problems»
» Multiple EQ curves of A»
» The short "6C33C Su»
» Off-the-wall playback or»
» Van den Hul 's Grail
» There is nothing subject»
» USB microscope for setti»
» BPO's virtual concert ha»
» Use absolute polarity as»
» About Omnivorenes of Pla»
» Stupid SME question abou»
» Violin Concertos
» Bad, bad, bad 1812 Overt»
» Shopping for DSD Convert»
» Bruckner 8 in Washington»
» Beethoven's Triple Conce»
» FM and live real-time br»
» Ultimate Turntable
» Munich 2017, Avantgarde »
» Should I low pass the mi»
» Dynamic viscose stabiliz»
» THE Show, Irvine 2018
» Yamamura's 6 ways
» Lecture on history of ar»
» Soundsmith’s analog idea»
» About playback and messa»
» Some kind of Grundig…
» Herbie's Hal-O Tube Damp»
» An interesting TT link: »
» Help with Math needed.
» 6C41C – the journey to n»
» The Absolute Sound of Au»
Bookmarked are red
Takashi Asahina Group
The AHRC Research Centre
Museatex
Lenard's Opals monitor
DaVinciAudio Labs
Good-Music-Guide
Polish GM70 Poject
Pjay's Speaker building »
Electronics encyclopedia
The Leonard Cohen Files
ElecroVoice’s Vintage Pr»
Lockwood Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
AUG 19 Andris Nelsons, cond»
AUG 20 Chamber Music»
AUG 20 Borromeo String Quar»
AUG 21 Ying Quartet»
AUG 23 Landmarks Dance Carn»
AUG 23 Schuberts Summer Jou»
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