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» "SOTA Technology&qu»
» In appreciation of Koshka
» Avantgarde method of cap»
» The New York Philharmoni»
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» Ah Mravinsky !
» Music and WW3
» Yet another Gould box se»
» Radiation patterns match»
» Trash your “full-rage”, »
» Another horn manufacturer
» Riccardo Muti and Chicag»
» Audio-tekne's "Tone»
» Some thoughts about bass»
» Beware of PurePower Part»
» Paul McGowan. tubes in p»
» Hideous American operas.
» A primer on high-end mar»
» Brahms Double Concerto
» About rationalism of twi»
» A very slow monolog abou»
» DAC Recommendations
» Spivakov, NPoR Orchestra»
» Metaxas-Wolfson ADC with»
» The foolishness of multi»
» The differential diagnos»
» Holly Proscenium idiocy!
» Silicone gel damping?
» The Daniel Hertz M1 ultr»
» Can a ultimate playback »
» George Orwell and loudsp»
» 3 ways how I listen to m»
» Expressive Technologies »
» Denouncing of idea of Ba»
» Custom UPS.
» Long time due: Digital P»
» Audio Quality Matters in»
» What lives in Symmetric »
Bookmarked are red
Norman Lebrecht's blog
Elliott Sound Products
Graeme's Speaker DIY Pag»
The Bruckner Discography
IMSLP Music Library
The Cartridge Database
Russian Records
Exponential/Hyperbolic C»
Radios for Sale
Jong Woo's Site
Female Composers Site
Classical Music Network
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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de Groot, Jan Rokus (6 May»
CEC TL-0 MK2 transport
LF Transformer for 6C33C
Lamm L2 Reference pream»
Hillock TV-2 tube tester
“Tree Blind Mice” colle»
Micro-Seiki air-suspend»
Electro-Voice T350 twee»
Korvet “Egg” Tonearm
Mid-range tantrix round»
Koetsu Onyx Platinum Ca»
Vitavox S2/S3 diaphragms
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