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» The “Melquiades” Sound -»
» Those experiences. Early»
» Turntable Design
» Power Supplym for driver»
» Correcting Filters and t»
» The foolishness of multi»
» Günter Wand Intervi»
» A horny newcomer: Pink F»
» Midbass injection channel
» The Evolution of Honk.
» The single-stage Milq an»
» Should I low pass the mi»
» Tube GU-29
» Italy’s the best: Michel»
» About Moronism in Audio
» Someone is DSETing, it s»
» Bass impact on Turntable»
» Dream Hi-Eff Speakers fo»
» Khachaturian anyone?
» Here's what's REALLY wro»
» Open Baffle Speaker Desi»
» Eventually I’ve seen a l»
» Audio system: my path to»
» Amazing Altec 288 ++
» Mystery Horn ? ? ? anyon»
» The absolutely “best” ma»
» Compression driver phase»
» Abbado + Lucerne Festiva»
» Panel with Peter Qvortru»
» "Appeal to the Grea»
» “Hearing Modernity” at H»
» Next week in Metropolita»
» CATS Purring tempo, slid»
» The evil of low sensitiv»
» DIY LCR phono
» How to select mid/upper »
» It is Miracle
» Why David Robertson does»
Bookmarked are red
Jim Moskowitz's Unknown »
Value of Records Tool
Spinning Dog Records
Unofficial Vitavox Site
Polish GM70 Poject
BuyWell Australia's Clas»
Silent Running Audio
Takashi Asahina Group
JPC CD Store
Classical Recordings New»
Wolds Opera Broadcasts
Technical books online
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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Pacific Microsonics Mod»
Sansui TU-X1 Tuner
Rohde & Schwarz EU-6201»
Vitavox AK-15/40 15" ba»
REL Precedent 646C tuner
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Musatex’s Bidat Model "»
Korvet “Egg” Tonearm
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