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» Digital recorders: what »
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» Electro-Voice Tweeter an»
» Haliaetus: Dick Cheney’s»
» The “Inverted High End A»
» Is anybody live in Austr»
» DeCompressor - Puncher P»
» Not new, but VERY intere»
» How to organize files wi»
» Some thoughts about bass»
» Analog vs. Digital... wi»
» Someone is DSETing, it s»
» Updated view: The Optima»
» New paradigm - what an &»
» The CES's 2011 horns
» Amazing Altec 288 ++
» Single-stage Melquiades »
» Commentary on Joe's »
» Today’s SACD - music for»
» The Full (fuller) Range »
» A use of extraordinarily»
» Where are our good phono»
» JBL LE8
» Engaging the David Haign»
» Polish Chamber Choir - S»
» Double enclosure or usin»
» Tchaikovsky’s “Pathetiqu»
» A revolution for Executi»
» Audio-tekne's "Tone»
» Stunning Resurrection in»
» NOhorn channel for “the »
» Resonating hi from overs»
» Anyone experimented with»
» How to play Bruckner Sou»
» About the Critical Audio»
» Things to look out for w»
» Moscode, Morecode, Moron»
» The corrupted listening »
Bookmarked are red
DIY SET
Pjay's Speaker building »
The National Valve Museum
AudioTools
Parnassus Records
WGBH's “Keeping Score”
Dr. Bruce Edgar Interview
Loudspeaker Designer's G»
Club Abbadiani Itineranti
Seen and Heard
Solid State Electronics
Willem Mengelberg discog»
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Sansui TU-X1 Tuner
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ESS AMT-1A Heil Air Mot»
Rohde & Schwarz EU-6201»
Hillock TV-2 tube tester
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