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» The new CEC TL1 transpor»
» High End 2012 in Germany
» The industry’s high qual»
» Mystery of bass horn cal»
» LeCleach vs. tratrix and»
» Roomy the cat is going t»
» Vasily Petrenko in Bosto»
» Attention Sound Engineer»
» How to make a music pers»
» The Andrew Rose’s “Prist»
» A DSET is better then an»
» It is about timbres, stu»
» An Acquired Taste
» Here is my new tonearm.
» Fake Vitavox S2 diaphrag»
» Dynamic range in histori»
» The global live televisi»
» A resistor between scree»
» A new 'chic' foolishness»
» Superbly interesting eff»
» BSO and 192kps
» How Well Shall a CD Tran»
» THe Audio Critic Magazine
» Van Cliburn Moscow 1958
» It’s mad, mad, mad... e»
» Observations and Thought»
» The corrupted listening »
» Berlin Philharmonic Dire»
» Melquiades (D-Set) parts»
» Other Ways of getting Sp»
» Submerging deeper into A»
» The invisible sound barr»
» Wide dispersion horns
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Korvet “Egg” Tonearm
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Purist Audio Design Pro»
Hillock TV-2 tube tester
Musatex-TP Bidat 20-Bi»
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