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» An interesting Russian p»
» A Frankenstein Macondo -»
» Dannoy and oxytocin...
» UHF capable tweeters and»
» Signal variation, noise,»
» Micro Seiki SZ-1T
» Celibidache / bruckner
» Audiophile Re-issues: Wh»
» Schroder Tonearms
» Wasted Time and "be»
» Grid bias power supplies
» Upper-Sound of Upper-Imp»
» Metal domes
» The CES 2005
» Why I hate HornResp.
» I good spot-light for a »
» Some thoughts about Milq»
» The New York Philharmoni»
» Taking the mystery out o»
» High End 2012 in Germany
» Great Cello Concertos
» Bruckner 9, Transcriptio»
» Hans Vonk Legacy
» Updated view: The Optima»
» Zigmahornets Speakers: c»
» Vitavox S2 driver made i»
» How to make a playback t»
» High End Munich 2023
» Musique Concrete horns
» The Brain Inertia.
» “How audio might sound”
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» Elgar conducts Elgar.
» Internet and electricity
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Classical events in Boston
AUG 1 Chamber Music in Bru»
AUG 1 Sustaining Our Beaut»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 2 Mahler’s Symphony No»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
NPR Classical Programs
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c.p.e. bach: mercurial dive»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
Pugnani, Gaetano (27 Novem»
Czerny, Carl (21 February »
Bloch, Ernest (24 July 188»
Binge, Ronald (15 July 191»
Birtwistle, Harrison (15 J»
de Vries, Klaas (15 July 1»
My Audio Leftovers
Micro-Seiki MAX-282 To»
Musatex’s Bidat Model "»
“Tree Blind Mice” colle»
Altec 808A compression »
Micro-Seiki Arm Board
Stage Acompany SA8535 d»
Vitavox 330Hz Horn for »
SME M2 - 12" Tonearm wi»
Conscience of audio rev»
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
More Leftovers »»